Downsizing (Alexander Payne, 2017)


Downsizing begins as a premise: what if the technology existed to shrink people down to five inches tall, while retaining everything else about them? Scarcity would not exactly cease to be a problem, but resources would instantly become vastly more available, as it would require far less in terms of material to feed, clothe, or house a human being. The result is a vast increase in wealth for the shrunken: the middle class instantly transformed into the idle rich. The first third of Alexander Payne’s film follows just such a middle class couple, Matt Damon and Kristen Wiig, as they decide to undergo the downsizing process. There are informational meetings with sales reps, goodbye parties with friends and loved ones, and the clinical downsizing process itself, right down to where the shrunken people are gently scooped out of their now-oversized hospital beds with spatulas. Damon’s dream of post-capital luxury however, is crudely broken when he learns that he wife has backed out of the procedure. The resulting divorce leaves him not happily retired in a palatial mansion, but doomed to work as telephone support for Land’s End.

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