I Am Not Madame Bovary (Feng Xiaogang, 2016)


A comedy of bureaucracy like many a film of the Romanian New Wave, but rather than the drab and bleak institutional ironies of the Eastern Bloc, Feng Xiaogang’s satire is bright and sprightly, bouncing along its tunnel visions for two and a half hours of contradiction made irresolvable by a society’s fundamental lack of belief in the primacy of actuality over appearance. Fan Bingbing plays a rural peasant woman who wants to undo and then redo her divorce. She and her husband, she claims, only pretended to get divorced in order to qualify for an apartment near the factory where he works, while keeping her house in another town (a year later they would remarry and get both properties). But then her husband took up in that apartment with another woman, and claiming the divorce was real, kicked Fan out.

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