This guest review comes courtesy of critic Jaime Grijalba.
I’m not an expert on Johnnie To, nor do I pretend to be one. Not because I don’t find him interesting, and I will end up watching his entire filmography before too long. I’m wary of clogging the feed of the many people who are unaware of his talents with my half-assed thoughts, especially when there are so many critics and fans that have spent way more time than I’d ever spend examining and studying the style and everything that surrounds the films of To and his Milkyway Image studio. So, with all that I’ve said, what lead me to write about the latest film from one of the most well-regarded Asian directors of the past two decades?