Overheard 3 – The third in a series of thrillers from Hong Kong, directed by Alan Mak and Felix Chong and starring the powerhouse trio of Lau Ching-wan, Louis Koo and Daniel Wu. Each film follows a new set of characters in a crime story involving eavesdropping technology of some kind and nefarious financial transactions. Each one is overwritten, the kind of film in which characters speak in long monologues of exposition, explaining things to the audience that all the characters in the scene should already know. Each movie weaves a financial crime (insider trading, real estate fraud) into traditional cop melodrama (read: problems with the wife/girlfriend), lending well-trod territory the shiny patina of contemporary relevance. Each movie delights in maiming Louis Koo in some horrible way. This is easily the worst entry in the series thus far, the plot overcomplicated (and not, as you’d expect, because Western audiences get confused by the nature of real estate deals in the New Territories, but rather just because the various schemes and revenge plots are far too complex to have ever been enacted by any actual humans), the characters thin and prone to radically irrational behavior. The first two managed to mitigate that with some clever suspense and action sequences, but there is hardly any of that here either. All of these people have done vastly superior work. It looks slick, like a lot of post-Infernal Affairs Hong Kong films (Mak was a co-director on that one as well), but it doesn’t have any depth, any soul.
This is part of our coverage of the 2015 Seattle International Film Festival.
Nothing is more boring than listening to someone else explain their dreams. It’s a wholly selfish act, inflicting a narrative of zero consequence upon a hapless listener who will never, ever connect with it. With this handicap in mind, the success of the delightfully oblique A Matter of Interpretation, which is almost entirely about dreams, is even more astonishing.