SPL: Paradox (Wilson Yip, 2017)

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It’s unclear if this film is actually a continuation of the SPL series or if it just started as one and then mutated into its own thing. I thought I saw the characters for “Sha Po Lang” on the title card of the movie though, so I’m just gonna go with it. Regardless, like the second film in the series, SPL 2: A Time for ConsequencesParadox has only a tenuous thematic relation to its forbearers: all of the characters are new. Louis Koo plays a Hong Kong cop who travels to Pattaya, in Thailand, in search of his daughter, who has gone missing. He hooks up with a Thai cop (Wu Yue) as the two uncover an organ trafficking ring with connections all the way to the top of city government. Helping out in the investigation is another cop, a superstitious (possibly psychic) Tony Jaa, star of the last SPL and arguably the best martial arts star in the world today, in what amounts to little more than a guest-starring role. The final villain is played by Lam Ka-tung (Sparrow, Trivisa), which means that the two most important Thai characters in the film are played by Chinese actors. Such are the vagaries of international cinema.

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VIFF 2017: Paradox (Wilson Yip, 2017)

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You wouldn’t know it from the title or VIFF’s program notes, but Wilson Yip’s Paradox began life as the third entry in the SPL series before the film’s producers and programmers jettisoned any mention of its genealogy ahead of the official rollout. And to be clear, this doesn’t appear to be a quirk of North American unfamiliarity with the series: even in Hong Kong it played as a clandestine sequel, with nary a mention of Sha Po Lang in sight (in English, anyways). And to confuse things further, Soi Cheang, director of the superb second entry, was originally slated to direct Paradox, only to swap out for workman Wilson Yip, director of the not-entirely-superb original SPL, late in the game. Cheang retains a producing credit on Paradox and rumor has it that he will be back to direct the next SPL film, which may end up monikered ‘SPL 3’ if the pre-production reports are to be believed. In the world of Soi Cheang, things tend towards mutation.

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