The Frances Farmer Show #7: SIFF 2016 Midpoint Report

Almost halfway through the marathon that is the Seattle International Film Festival, we take a break to talk about some of the films we’ve seen so far. Movies discussed include: Chimes at Midnight, Sunset Song, Love & Friendship, Long Way North, Our Little Sister, Alone, The Island Funeral, Concerto, A Bride for Rip Van Winkle, Cameraperson, Women He’s Undressed, In a Valley of Violence, The Final Master, Lo and Behold, The Lure, Tiny, The Seasons in Quincy and Scandal in Paris.

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Some corrections:

The woman in The Island Funeral takes a trip with her brother, not her sister.
The Seasons in Quincy starts in the winter and ends in the autumn, not summer, because that’s how seasons work.

SIFF 2016: Chimes at Midnight (Orson Welles, 1965)

chimes pot

Orson Welles was a vain human being but he was not a vain movie star. A character actor at heart, Welles always gravitated to the grotesque. He loved to play fatally flawed individuals, the more makeup the better. Nowhere is this predilection more pronounced than in Welles’s closest analog to a vanity project, the Shakespeare amalgam Chimes at Midnight, which borrows from five different plays to build a portrait of the corpulent, drunken, “sanguine coward” John Falstaff.

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