Almost halfway through the marathon that is the Seattle International Film Festival, we take a break to talk about some of the films we’ve seen so far. Movies discussed include: Chimes at Midnight, Sunset Song, Love & Friendship, Long Way North, Our Little Sister, Alone, The Island Funeral, Concerto, A Bride for Rip Van Winkle, Cameraperson, Women He’s Undressed, In a Valley of Violence, The Final Master, Lo and Behold, The Lure, Tiny, The Seasons in Quincy and A Scandal in Paris.
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The woman in The Island Funeral takes a trip with her brother, not her sister.
The Seasons in Quincy starts in the winter and ends in the autumn, not summer, because that’s how seasons work.
Here’s a quick run through some of the movies I’ve seen so far at this year’s Seattle International Film Festival.
Sunset Song (Terence Davies, 2015) – Out of Lewis Grassic Gibbon’s classic novel, performed in that book’s hybrid Scots-English dialect (with mostly superfluous subtitles for the Americans), Davies fashions a gorgeous inversion of Hollywood women’s melodrama. Sure, his heroine Chris Guthrie (Agyness Deyn) suffers considerably, but where the Golden Age classics trafficked in schadenfreude at the sufferings of their independent women, Davies finds absolution in Chris’s determined resistance to the patriarchal psychoses that possess first her father (Peter Mullan, a Davies father-monster recalling no less than Pete Posthlewaite in Distant Voices Still Lives) then her husband (Kevin Guthrie). An Old World rebuke to American solipsism: tomorrow is not another day–only the land endures.
Continue reading “SIFF 2016 Report #1: Sunset Song, Concerto: A Beethoven Journey, A Scandal in Paris, A Bride for Rip Van Winkle and Love & Friendship“