The Adventurers (Stephen Fung, 2017)

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Almost thirty years after A Moment of Romance, Andy Lau still looks impossibly cool riding a motorcycle. He does it here as the lead of a small gang of jewel thieves in Stephen Fung’s heist movie, his first film since the lunatic double punch of 2012’s Tai Chi 0 and Tai Chi Hero. Those films are the most successful yet adaptation of the comic book steampunk aesthetic to the kung fu film, supplementing its basic conceit with a breathless storytelling verve: the on-screen titles introducing the film’s stars all end in exclamation points. The Adventurers finds Fung in a much more relaxed mode, the idiosyncratic personal expression bound within the generic form of a movie designed to meet audience expectations rather than defy them. To this end he’s helped immeasurably by Lau, who has spent much of his long career making otherwise interminable movies watchable (for example Ringo Lam’s laziest film, also called The Adventurers, released in 1995) and Shu Qi, who’s undeniable greatness as an art house actress (Millennium Mambo, The Assassin) tends to overshadow, in the West, a sparkling, magnetic movie star charm (as in Ringo Lam’s goofiest film, 2003’s Looking for Mr. Perfect). The two great stars, ably supported by a multinational cast of veterans (Hong Kong’s Eric Tsang and France’s Jean Reno) and relative newcomers (Zhang Jingchu from China and Tony Yang from Taiwan), enliven what is blatantly a Mission: Impossible knock-off (Reno of course featured in the first film in that series, while Zhang was in the latest one, a performance which amounted to nothing but a superfluous 30 second pandering to the Chinese audience).

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