Seattle Screen Scene

Brittany Runs a Marathon (Paul Downs Colaizzo) Fri-Thurs
Don’t Let Go (Jacob Aaron Estes) Fri-Thurs
Ne Zha (Jiaozi) Fri-Thurs

The Last Black Man in San Francisco (Joe Talbot) Fri-Thurs

‘I Do Not Care if We Go Down in History as Barbarians’ (Radu Jude) Fri-Mon, Weds-Thurs Our Podcast
Blackhat (Michael Mann, 2015) Fri & Mon Only
Mission Impossible: Rogue Nation (Christopher McQuarrie, 2015) Fri & Sat Only
Baahubali: The Beginning (SS Rajamouli, 2015) Sat Only Our Review
Space Adventure Cobra (Osamu Dezaki, 1982) Sun Only
My Man Godfrey (Gregory La Cava, 1936) Sun & Weds Only
Eyes Wide Shut (Stanley Kubrick, 1999) Sun & Thurs Only
Let’s Scare Jessica to Death (John D. Hancock, 1971) Mon Only
Drug War (Johnnie To, 2012) Weds Only Our Review Our Podcast
Society (Brian Yuzna, 1989) Thurs Only

Paprika (Satoshi Kon, 2006) Fri-Weds
The Land Before Time (Don Bluth, 1988) Fri-Weds

SIFF Egyptian:

Brittany Runs a Marathon (Paul Downs Colaizzo) Fri-Thurs

Jaddi Sardar (Manbhavan Singh) Fri-Thurs
Surkhi Bindi (Jagdeep Sidhu) Fri-Thurs

Honeyland (Tamara Kotevska & Ljubomir Stefanov) Fri-Thurs
Chopping Mall (Jim Wynorski, 1986) Sat Only
Wild Rose (Tom Harper) Tues Only

Ode to Joy (Jason Winer) Fri-Thurs
Horn from the Heart: The Paul Butterfield Story (John Anderson) Fri Only
SECS Fest 2019 Sat Only
The Case of Hana & Alice (Shunji Iwai, 2015) Sun Only Our Review
Honeyland (Tamara Kotevska & Ljubomir Stefanov) Mon-Thurs

Brittany Runs a Marathon (Paul Downs Colaizzo) Fri-Thurs
Chhichhore (Nitesh Tiwari) Fri-Thurs
Enai Noki Paayum Thota (Gautham Menon) Fri-Thurs
Ittymaani: Made in China (Jibi-Joju) Fri-Thurs
Magamuni (Santhakumar) Fri-Thurs
Ne Zha (Jiaozi) Fri-Thurs
Saaho (Sujeeth) Fri-Thurs Hindi, Tamil or Telugu, Check Listings
Mission Mangal (Jagan Shakti) Fri-Thurs

Chhichhore (Nitesh Tiwari) Fri-Thurs
Ne Zha (Jiaozi) Fri-Thurs
Don’t Let Go (Jacob Aaron Estes) Fri-Thurs

La Flor (Mariano Llinás) Fri-Sun Four Parts, Check Listings Our Review
The City as Character Fri Only
Art & Mind (Amélie Ravalec) Sat Only
Harold & Maude (Hal Ashby, 1971) Sun Only
Low Low (Nick Richey) Mon Only
IRIS: A Space Opera by Justice (André Chemetoff & Armand Beraud) Tues Only
Rezo (Levan Gabriadze) Weds & Next Sat & Sun Only
Kon Kon (Cecilia Vicuña) Weds Only
Night of the Creeps (Fred Dekker, 1986) Thurs Only

AMC Oak Tree:

Ne Zha (Jiaozi) Fri-Thurs

Luce (Julius Onah) Fri-Thurs
Ne Zha (Jiaozi) Fri-Thurs

Saaho (Sujeeth) Fri-Thurs Telugu
Chhichhore (Nitesh Tiwari) Fri-Thurs
Just a Stranger (Jason Paul Laxamana) Fri-Thurs
Hello, Love, Goodbye (Cathy Garcia-Molina) Fri-Thurs

AMC Seattle:

Before You Know It (Hannah Pearl Utt) Fri-Thurs
Brittany Runs a Marathon (Paul Downs Colaizzo) Fri-Thurs
The Nightingale (Jennifer Kent) Fri-Thurs

Rashomon (Akira Kurosawa, 1950) Fri-Sun

AMC Southcenter:

Don’t Let Go (Jacob Aaron Estes) Fri-Thurs
Killerman (Malik Bader) Fri-Thurs
Tod@s Caen (Ariel Winograd) Fri-Thurs

Ne Zha (Jiaozi) Fri-Thurs
Brittany Runs a Marathon (Paul Downs Colaizzo) Fri-Thurs
IRIS: A Space Opera by Justice (André Chemetoff & Armand Beraud) Tues Only
You are Here (Moze Mossanen) Weds Only

SIFF Uptown:

Tigers are not Afraid (Issa Lopez) Fri-Thurs
David Crosby: Remember My Name (A.J. Eaton) Fri-Thurs
The Nightingale (Jennifer Kent) Fri-Thurs

Satanic Panic (Chelsea Stardust) Fri-Thurs
Dauntless (Mike Phillips) Fri-Thurs

In Wide Release:

Once Upon a Time in Hollywood (Quentin Tarantino) Our Review Our Other Review

The Case of Hana and Alice (Shunji Iwai, 2015)

September 4, 2019December 20, 2019 ~ Sean Gilman ~ 1 Comment

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What do you do if you want to make a prequel to one of your best movies, one built as much around the performances of two terrific young actresses more than anything else, but a decade has passed and the actresses are now much too old to be playing the same characters? Well, if you’re Shunji Iwai, you make it as an anime. That’s the case with The Case of Hana and Alice, the prequel to his 2004 film Hana and Alice. Anne Suzuki and Yū Aoi (respectively) reprise their roles in voice form with an origin story for the two slightly odd friends. In most respects, the film is of a piece with the original: both are slice of life films about teen girls, with meandering plots filled with small moments of wonder and mystery. That they could be so similar and yet be made in dramatically different media speaks to the paucity of Hollywood imagination, where “animated” is a genre unto itself (an almost exclusively kid-oriented one), rather than merely one method among many for telling a story.

Alice moves into a new house and starts a new school in the 9th grade. She’s immediately set upon by her classmates because her assigned desk belonged to a boy who is rumored to have died the year before, which the students have interpreted as some kind of occult phenomenon. She fights back (ably beating up one boy who tries to torment her) and sets out to solve the mystery of the former student’s disappearance, which leads her to her reclusive neighbor, Hana, who sat behind him in class the year before. The two eventually join forces, with Hana coming up with various schemes to track down the boy’s father and Alice lackadaisically playing along.

This leads to a remarkable yet entirely tangential sequence, as Alice, accidentally following and then befriending the wrong old man, finds herself in a miniature remake of Akira Kurosawa’s masterpiece Ikiru. With several shots lifted straight out of the Kurosawa, she befriends her wistful elder, visiting a crowded restaurant and a swing set with him. It’s a completely inessential sidetrack, having literally nothing to do with furthering the plot, and it’s absolutely perfect. A film about the wonder and possibility of youth taking the time to meditate for a bit on what it means to be old and alone.

The Kurosawa thing makes me think about the connections between Japanese feature film and anime. One of his contemporary Yasujiro Ozu’s more famous recurring stylistic features is the pillow shot, a short scene of nothing in particular, a sky, a city street, some power lines. They serve no narrative purpose whatsoever, but they help with the pacing of his films, allowing a momentary breath between scenes, giving the audience a space to think about what they’re seeing. Such shots are also a common feature of manga and anime, individual panels with no story-related content that simply serve to break-up the flow of the narrative, and they’re as anathema to traditional American comic book making as Ozu’s pillow shots are to standard Hollywood editing. In the American tradition, forward movement of the plot is everything, and anything else is a waste of time. This is on its face an absurdly limiting idea of narrative art, but it persists nonetheless (think of all the people out there complaining about Once Upon a Time in Hollywood‘s leisurely pacing as a failure to properly edit).

I don’t know much about anime, but I’ve watched a few series and movies and have maintained subscriptions to both Crunchyroll and Funimation for awhile, despite not really using them as much as I should (as it is with all my streaming services). This summer the tragic fire at Kyoto Animation finally spurred me to watch some of their series: Sound! Euphonium, of which last year’s wonderful Liz and the Bluebird was a spin-off; and K-On!, an earlier series that is also about a high school musical group. They’re terrific, almost directionless shows (K-On! more so than the other: it has an episode that is literally about it being rainy outside, and another about how it’s too hot in the music room) that aren’t so much about growing up or coming of age as they are simply about being young. The Case of Hana and Alice is that kind of movie. And maybe it’s that I’m becoming more and more conscious of the fact that I’m nearer in age to the elderly businessman than I am to the kooky teen girls, but it’s the kind of movie you don’t want to miss when it plays for two more shows this Sunday at the Grand Illusion.

The Seattle Screen Scene Top 100 Films of All-Time Project

September 1, 2019 ~ Sean Gilman ~ 1 Comment

When the new Sight & Sound poll came out in 2012, Mike and I each came up with hypothetical Top Tens of our own. For the next few years, we came up with an entirely new Top Ten on our podcast, The George Sanders Show, every year around Labor Day. The podcast has ended, but the project continues here at Seattle Screen Scene.

The idea is that we keep doing this until the next poll comes out in 2022, by which time we’ll each have a Top 100 list. Well, I will. Mike will have only 98 because he repeated two from his 2012 list on the 2013 one.

Here are Mike’s Top Ten Films of All-Time for 2019:

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1. One Week (Buster Keaton & Edward Cline, 1920)

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2. King Kong (Merian C. Cooper & Ernest B. Schoedsack, 1933)

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3. Pit Stop (Jack Hill, 1969)

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4. A New Leaf (Elaine May, 1971)

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5. The Truth About De-evolution (Chuck Statler, 1976)

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6. Tampopo (Juzo Itami, 1985)

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7. Do the Right Thing (Spike Lee, 1989)

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8. Dazed and Confused (Richard Linklater, 1993)

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9. Ed Wood (Tim Burton, 1994)

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10. Mad Max Fury Road (George Miller, 2015)

And here are Sean’s Top Ten Films of All-Time for 2019:

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1. Spring in a Small Town (Fei Mu, 1948)

2. The Quiet Man (John Ford, 1952)

3. Kiss Me Kate (George Sidney, 1953)

4. Airplane! (David Zucker, Jim Abrahams & Jerry Zucker, 1980)

5. Excalibur (John Boorman, 1981)

6. City on Fire (Ringo Lam, 1987)

7. Platform (Jia Zhangke, 2000)

8. Los Angeles Plays Itself (Thom Andersen, 2003)

9. The New World (Terrence Malick, 2005)

10. Baahubali (SS Rajamouli, 2015/2017)

Friday August 30 – Thursday September 5

August 30, 2019September 5, 2019 ~ Sean Gilman

Featured Film:

Saaho at Various Multiplexes

Honestly I haven’t seen this Indian action movie yet, but it sounds pretty crazy and it stars Prabhas and is his first film since Baahubali, which is reason enough to watch it. So if you want to prep for the Beacon’s upcoming presentation of both Baahubali movies, this seems like the wise way to go. That’s going to be part of their amazing series of the decade’s best action movies, and I’m sure I’ll be mentioning it again in this space. It’s kicking off this week with some recent Hollywood movies: Mad Max Fury Road and Creed. In other rep releases, the Cinerama has a Stephen King film series. They don’t have the best Stephen King movie, but they do have the second best: check out John Carpenter’s adaptation of Christine if you’ve never seen it. But maybe take the bus to get there.

Playing This Week:

Admiral Theater:

Maiden (Alex Holmes) Fri-Thurs

Saaho (Sujeeth) Fri-Thurs Hindi
Don’t Let Go (Jacob Aaron Estes) Fri-Thurs
Ne Zha (Jiaozi) Fri-Thurs

The Last Black Man in San Francisco (Joe Talbot) Fri-Thurs

The Souvenir (Joanna Hogg) Fri-Thurs
Be Natural: The Untold Story of Alice Guy-Blaché (Pamela B. Green) Sat, Sun & Tues Only Our Review
Mad Max Fury Road (George Miller, 2015) Sat & Sun Only
Nine to Five (Colin Higgins, 1980) Sun & Mon Only
The Innocents (Jack Clayton, 1961) Mon Only
Creed (Ryan Coogler, 2015) Tues-Thurs Only Our Review
The Wolf of Wall Street (Martin Scorsese, 2013) Weds & Thurs Only

Paprika (Satoshi Kon, 2006) Fri-Weds
The Land Before Time (Don Bluth, 1988) Fri-Weds

Cinerama:

Stephen King Film Series Fri-Thurs

SIFF Egyptian:

Brittany Runs a Marathon (Paul Downs Colaizzo) Fri-Thurs

Saaho (Sujeeth) Fri-Thurs Tamil or Telugu, Check Listings
Don’t Let Go (Jacob Aaron Estes) Fri-Thurs
Ishq My Religion (Gurdeep Dhillon) Fri-Thurs
Surkhi Bindi (Jagdeep Sidhu) Fri-Thurs
Lawrence of Arabia (David Lean, 1962) Sun & Weds Only

Luce (Julius Onah) Fri-Thurs
Murder in the Front Row: The San Francisco Bay Area Thrash Metal Story (Adam Dubin) Sat Only
The Spy Behind Home Plate (Aviva Kempner) Tues Only

Ode to Joy (Jason Winer) Fri-Thurs
Attack of the Beast Creatures (Michael Stanley, 1985) Fri Only VHS
The Case of Hana & Alice (Shunji Iwai, 2015) Sat, Sun & Next Sun Only

Saaho (Sujeeth) Fri-Thurs Hindi, Tamil or Telugu, Check Listings
Mission Mangal (Jagan Shakti) Fri-Thurs
Lawrence of Arabia (David Lean, 1962) Sun & Weds Only

Saaho (Sujeeth) Fri-Thurs Hindi
Don’t Let Go (Jacob Aaron Estes) Fri-Thurs
Mission Mangal (Jagan Shakti) Fri-Thurs
Love, Antosha (Garret Price) Fri-Thurs

The Mountain (Rick Alverson) Fri-Sun, Tues-Thurs
Contemporary Experimental Films and Video Art from Germany, Vol. 4 Fri & Sat Only
What’s Up, Doc? (Peter Bogdanovich, 1972) Sun Only
Art & Mind (Amélie Ravalec) Weds-Thurs & Next Sat Only

Luce (Julius Onah) Fri-Thurs

Saaho (Sujeeth) Fri-Thurs Telugu
Luce (Julius Onah) Fri-Thurs
Mission Mangal (Jagan Shakti) Fri-Thurs
Hello, Love, Goodbye (Cathy Garcia-Molina) Fri-Thurs

AMC Seattle:

One Child Nation (Nanfu Wang & Lynn Zhang) Fri-Thurs

AMC Southcenter:

Don’t Let Go (Jacob Aaron Estes) Fri-Thurs
Killerman (Malik Bader) Fri-Thurs
Tod@s Caen (Ariel Winograd) Fri-Thurs
Maiden (Alex Holmes) Fri-Thurs

Ne Zha (Jiaozi) Fri-Thurs
Luce (Julius Onah) Fri-Thurs
Lawrence of Arabia (David Lean, 1962) Sun & Weds Only

SIFF Uptown:

The Nightingale (Jennifer Kent) Fri-Thurs
Echo in the Canyon (Andrew Slater) Fri-Thurs

Continue reading “Be Natural: The Untold Story of Alice Guy-Blaché (dir. Pamela Green, 2018)” →

Itsy Bitsy (Micah Gallo) Fri-Thurs
Santa Girl (Blayne Weaver) Fri-Thurs

In Wide Release:

Once Upon a Time in Hollywood (Quentin Tarantino) Our Review Our Other Review

Be Natural: The Untold Story of Alice Guy-Blaché (dir. Pamela Green, 2018)

August 30, 2019 ~ Sue Lonac

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Too few people know about the extraordinary woman who arguably created cinema as we know it. With La Fée aux Choux (1896), Alice Guy-Blaché became the first director in history to use film to do something that we now take for granted as the obvious job of the movies: to tell a story. (Some critics and scholars make a case for the Lumière brothers as the inventors of fiction film with the staged prank depicted in their 1895 L’Arroseur Arrosé, but this argument depends entirely on what one believes counts as a “story,” as opposed to an incident or attraction.) To note only that Guy-Blaché was “the world’s first woman director,” then, is to do her somewhat of a disservice, given her other even more remarkable achievements. (She also, for example, was the first director in history to use synchronized sound in film, decades before The Jazz Singer.) Pamela Green’s long-overdue documentary Be Natural: The Untold Story of Alice Guy-Blaché is therefore a little safe and cautious in calling Guy-Blaché only “one of” the earliest fiction filmmakers. Even so, Green’s compelling account performs an essential service in at last giving a remarkable and nearly forgotten figure from cinema history the feature-length documentary that she deserves. Be Natural (entitled after the advice Guy-Blaché always gave her actors) is wholly engrossing, and by turns surprising, illuminating, and moving.

Friday August 23 – Thursday August 29

August 22, 2019August 30, 2019 ~ Sean Gilman

Featured Film:

Apocalypse Now: The Final Cut at the Ark Lodge

The Ark Lodge is a cool theatre in an up-and-coming neighborhood, but it’s hard to make money showing movies these days and they could use some customers, so I’m gonna suggest that if you go see the new cut of Francis Ford Coppola’s masterpiece, you should do so in Columbia City. It’s playing at a handful of other theatres around town, but the Ark Lodge is right on the light rail line and there’s plenty of good places to eat right around there. And while you’re there, why not even head down the street and catch Safe or Bigger than Life or Poltergeist at the Beacon.

The Last Black Man in San Francisco (Joe Talbot) Fri-Thurs
Apocalypse Now: Final Cut (Francis Ford Coppola, 1979) Fri-Thurs

A German Youth (Jean-Gabriel Périot, 2015) Fri-Sun
Poltergeist (Tobe Hooper, 1982) Fri-Sun
Bigger than Life (Nicholas Ray, 1956) Sat & Sun Only
¡Las sandinistas! (Jenny Murray) Sun & Weds Only
Safe (Todd Haynes, 1995) Mon & Tues Only
The Living Dead at Manchester Morgue (Jorge Grau, 1974) Mon Only
Over the Edge (Jonathan Kaplan, 1979) Tues-Thurs Only
Possibly in Michigan: the Video Work of Cecelia Condit Thurs Only

Big Trouble in Little China (John Carpenter, 1986) Fri-Weds
UHF (Jay Levey, 1989) Fri-Tues

Cinerama:

Sound & Vision Film Series Fri-Thurs

My Neighbor Totoro (Hayao Miyazaki, 1988) Sun, Mon & Weds Only Subtitled Mon

Luce (Julius Onah) Fri-Thurs
Luz (Tilman Singer) Sat Only
The Chambermaid (Lila Aviles) Tues Only

Cold Case Hammarskjöld (Mads Brügger) Fri-Thurs
Apocalypse Now: Final Cut (Francis Ford Coppola, 1979) Sat & Sun Only

Gubbi Mele Brahmastra (Sujay Shastry) Fri-Sun
Kousalya Krishnamurthy (Bhimaneni Srinivasa Rao) Fri-Thurs
Nerkonda Paarvai (H. Vinoth) Fri-Sun
Thanneer Mathan Dinangal (Girish A.D.) Fri & Sat Only
Mission Mangal (Jagan Shakti) Fri-Thurs
Batla House (Nikkhil Advani) Fri-Thurs
Comali (Pradeep Ranganathan) Fri-Thurs
Evaru (Venkat Ramji) Fri-Thurs
My Neighbor Totoro (Hayao Miyazaki, 1988) Mon & Weds Only Subtitled Mon

Mission Mangal (Jagan Shakti) Fri-Thurs
Maiden (Alex Holmes) Fri-Thurs
My Neighbor Totoro (Hayao Miyazaki, 1988) Sun, Mon & Weds Only Subtitled Mon

The Garden of Secrets (Nathalie Attallah) Sun Only
Ukrainian Shorts Showcase Sun Only
So, I Married an Axe Murderer (Thomas Schlamme, 1993) Sun Only
My Father Is My Mother’s Brother (Vadym Ilkov) Sun Only
The Proposal (Jill Magid) Weds & Thurs Only
The Souvenir (Joanna Hogg) Weds Only

Luce (Julius Onah) Fri-Thurs
Line Walker 2: Invisible Spy (Jazz Boon) Fri-Thurs

Luce (Julius Onah) Fri-Thurs
Indak (Paul Alexei Basinillo) Fri-Thurs
Mission Mangal (Jagan Shakti) Fri-Thurs
Hello, Love, Goodbye (Cathy Garcia-Molina) Fri-Thurs

AMC Seattle:

One Child Nation (Nanfu Wang & Lynn Zhang) Fri-Thurs
Honeyland (Tamara Kotevska & Ljubo Stefanov) Fri-Thurs

Buñuel in the Labyrinth of the Turtles (Salvador Simó) Fri-Sun

My Neighbor Totoro (Hayao Miyazaki, 1988) Sun, Mon & Weds Only Subtitled Mon

SIFF Uptown:

Mike Wallace is Here (Avi Belkin) Fri-Thurs
Echo in the Canyon (Andrew Slater) Fri-Thurs
Rear Window (Alfred Hitchcock, 1954) Sat Only

Continue reading “Once Upon a Time in . . . Hollywood (Quentin Tarantino, 2019)” →

My Neighbor Totoro (Hayao Miyazaki, 1988) Sun & Mon Only Subtitled Mon

In Wide Release:

Once Upon a Time in Hollywood (Quentin Tarantino) Our Review Our Other Review

Once Upon a Time in . . . Hollywood (Quentin Tarantino, 2019)

August 20, 2019June 15, 2020 ~ Melissa Tamminga ~ 2 Comments

Rick Dalton dancing

**SPOILERS THROUGHOUT**

I. Prolegomenon: “Once upon a time,” Conservatism, and the Appeal of Nostalgia

This isn’t a review. (Here’s Sean Gilman’s review on this site.) It isn’t a judgment about whether a film is good or bad at a filmmaking level. Rather, it’s an attempt at a primarily thematic analysis. It’s an effort to answer some questions I have.

I want to consider Quentin Tarantino’s Once Upon a Time in . . . Hollywood on two levels: 1) a thematic one, specifically focusing on its construction of, assumptions about, and implications about gender and race — though, as a white person, I am more uneasy about tackling this one, aware that my own complicity in whiteness will always cloud how I observe and understand race on screen — and 2) an emotional one, arguably difficult, subjective territory, but one I think I have to address, given my own overwhelming fury upon exiting the cinema after my first viewing of the film.

First, then: what is the film saying or implying about gender? About men and about women? I believe Once Upon a Time in . . . Hollywood is, in essence, a conservative film. (And I credit my friend Ben Hynes for using this adjective in reference to the film in a conversation with me and thus, as aptly chosen words often do, doing much to illuminate and organize the clutter of details in the film I’d observed.) And by “conservative” I mean two things: first, a conservative stance is one that is, inevitably, backward looking. It looks to the past as a guide for the future and understands or uses the past to measure the present, which generally fails to measure up. A conservative viewpoint on some level idolizes the past — better days, better times, the good old days. It is inherently nostalgic. Second, the film is conservative in the sense that it not only looks to the past with longing, but it is itself rooted in what I would generally consider (particularly as relative to a “liberal” or “progressive” viewpoint) outdated, regressive understandings of the world and, more fundamentally, of the way the world should be.

Friday August 16 – Thursday August 22

August 15, 2019August 22, 2019 ~ Sean Gilman

Featured Film:

Sound & Vision Festival at the Cinerama

It’s the nadir of blockbuster season, which I suppose means it’s time for the Cinerama to devote its laser projection to playing a bunch of popular sci-fi and action hits of the past 30 years. So if you haven’t yet seen Raiders of the Lost Ark, Boogie Nights, or Back to the Future, or classics by Tim Burton or Wes Anderson, now’s your chance. They’ve also got the new cut of Apocalypse Now, which is also playing at the Grand Illusion.
I almost picked the Northwest Film Forum’s single screening of Big Trouble in Little China in this space, but the Central Cinema is playing that most of next week, and it plays fairly regularly around here. Great movie though.
I suppose if I were a better cinephile, I should have named SIFF’s showings of Hedwig and the Angry Inch or Hyenas the Featured Film of this week, but I haven’t yet seen either of those, though I’m sure they’re great. And the Beacon too has another great week of programming: an Italian silent with a live score, an SNL movie, John Waters, Sofia Coppola, Tobe Hooper, and the original Invasion of the Body Snatchers, among other fascinating oddities.

Playing This Week:

The Divine Fury (Jason Kim) Fri-Thurs

The Last Black Man in San Francisco (Joe Talbot) Fri-Thurs
Echo in the Canyon (Andrew Slater) Fri-Thurs

Filibus (Mario Roncoroni, 1915) Fri & Sat Only Live Score
MacGruber (Jorma Taccone, 2010) Fri-Sun
Invasion of the Body Snatchers (Don Siegel, 1956) Sat, Sun, Tues & Thurs
Serial Mom (John Waters, 1994) Sun, Tues & Weds Only
No Man of Her Own (Mitchell Leisen, 1950) Sun & Thurs Only
Celia (Ann Turner, 1989) Mon Only
The Funhouse (Tobe Hooper, 1981) Mon Only
The Virgin Suicides (Sofia Coppola, 1999) Tues-Thurs Only

The Dark Crystal (Jim Henson & Frank Oz, 1982) Fri-Weds
Do the Right Thing (Spike Lee, 1989) Fri-Weds
Inglourious Basterds (Quentin Tarantino, 2009) Thurs Only

Cinerama:

Sound & Vision Film Series Fri-Thurs

The Divine Fury (Jason Kim) Fri-Thurs

Maiden (Alex Holmes) Fri-Thurs
The Goonies (Richard Donner, 1984) Sat Only Free Screening
Easy Rider (Dennis Hopper, 1969) Sat Only
Ophelia (Claire McCarthy) Tues Only
The Last Waltz (Martin Scorsese, 1978) Weds Only
Toni Morrison: The Pieces I Am (Timothy Greenfield-Sanders) Thurs Only

Ray & Liz (Richard Billingham) Fri-Sun
Apocalypse Now: Final Cut (Francis Ford Coppola, 1979) Mon, Tues & Thurs
Best of SECS Fest – Shorts Program Weds Only

Mission Mangal (Jagan Shakti) Fri-Thurs
Batla House (Nikkhil Advani) Fri-Thurs
Comali (Pradeep Ranganathan) Fri-Thurs
Evaru (Venkat Ramji) Fri-Thurs
Ranarangam (Sudheer Varma) Fri-Thurs
A Boy Named Charlie Brown (Bill Melendez, 1969) Sun & Weds Only

Mission Mangal (Jagan Shakti) Fri-Thurs
Maiden (Alex Holmes) Fri-Thurs

The Queen (Frank Simon, 1968) Fri-Weds
The Proposal (Jill Magid) Sat & Sun, Weds & Thurs
Big Trouble in Little China (John Carpenter, 1986) Sun Only

Line Walker 2: Invisible Spy (Jazz Boon) Fri-Thurs

Mission Mangal (Jagan Shakti) Fri-Thurs
Hello, Love, Goodbye (Cathy Garcia-Molina) Fri-Thurs

AMC Seattle:

Honeyland (Tamara Kotevska & Ljubo Stefanov) Fri-Thurs

Hyenas (Djibril Diop Mambéty) Fri-Sun

Millennium Actress (Satoshi Kon, 2001) Mon Only Dubbed

SIFF Uptown:

Hedwig and the Angry Inch (John Cameron Mitchell, 2001) Fri-Thurs
Echo in the Canyon (Andrew Slater) Fri-Thurs
The Women (George Cukor, 1939) Sat Only
A Boy Named Charlie Brown (Bill Melendez, 1969) Sun Only

Already Gone (Christopher Kenneally) Fri-Thurs

In Wide Release:

Once Upon a Time in Hollywood (Quentin Tarantino) Our Review

Friday August 9 – Thursday August 15

August 8, 2019August 15, 2019 ~ Sean Gilman

Featured Film:

Last Year at Marienbad and The ‘Burbs at the Beacon

This week the Beacon has one of the absolute classics of international cinema, and also the new restoration of Alain Resnais’s mystery film. Joe Dante’s The ‘Burbs is playing as part of their series of Suburban Nightmares, but it works just as well as a companion to Resnais’s film: both are about men who keep failing to convince the people around them of a truth only they are privy too. It’s such a great pair, I wish we’d done a George Sanders Show on them. They’re also playing John Carpenter’s Halloween, which is probably a better than either of them. Might as well see ’em all in a triple feature this weekend. Elsewhere around town, the Northwest Film Forum has a French film about infidelity, this one starring Laetitia Casta; and the Cinerama has a Summer Trip film series, featuring many movies, some of which take place in the summer and some of which involve trips and some of which are neither summer movies nor movies with trips in them. Oh and for some reason Millennium Actress is playing at a handful of Regal Cinemas on Tuesday.

Playing This Week:

Admiral Theater:

Woodstock (Michael Wadleigh, 1970) Thurs Only

Exit (Lee Sang-geun) Fri-Thurs

The Last Black Man in San Francisco (Joe Talbot) Fri-Thurs

Last Year at Marienbad (Alain Resnais, 1961) Fri-Thurs
The ‘Burbs (Joe Dante, 1989) Fri-Sun, Thurs
Halloween (John Carpenter, 1978) Fri-Sun
Saint Jack (Peter Bogdanovich, 1979) Sun, Weds & Thurs Only
Suburbia (Penelope Spheeris, 1980) Mon-Weds Only
A Nightmare on Elm Street 3: Dream Warriors (Chuck Russell, 1987) Mon Only

Nausicaä of the Valley of the Wind (Hayao Miyazaki, 1984) Fri-Weds
Point Break (Kathryn Bigelow, 1991) Fri-Weds Our Podcast

Cinerama:

Summer Trip Film Series Fri-Thurs

Exit (Lee Sang-geun) Fri-Thurs
Singham (Navaniat Singh) Fri-Thurs
Chal Mera Putt (Janjot Singh) Fri-Thurs
Hello, Dolly! (Gene Kelly, 1969) Sun & Weds Only

Sword of Trust (Lynn Shelton) Fri-Thurs
Maiden (Alex Holmes) Fri-Thurs
It (Andy Muschietti) Sat Only
Return to Mount Kennedy (Eric Becker) Tues Only

Piranhas (Francesco Di Napoli) Fri-Thurs

Ecco (Ben Medina) Fri-Thurs
Jabariya Jodi (Prashant Singh) Fri-Thurs
Kurukshetra (Naganna) Fri-Thurs
Manmadhudu 2 (Shilpi Dasgupta) Fri-Thurs
Nerkonda Paarvai (H. Vinoth) Fri-Thurs
The Bravest (Tony Chan) Fri-Thurs
Judgementall Hai Kya (Prakash Kovelamudi) Fri-Thurs
Kalki (Prashanth Varma) Sat & Sun Only
Hello, Dolly! (Gene Kelly, 1969) Sun & Weds Only

Maiden (Alex Holmes) Fri-Thurs
Ecco (Ben Medina) Fri-Thurs
Woodstock (Michael Wadleigh, 1970) Thurs Only

A Faithful Man (Louis Garrel) Fri-Thurs
Cassandro, the Exotico! (Marie Losier) Fri-Sun, Weds & Thurs

Hello, Love, Goodbye (Cathy Garcia-Molina) Fri-Thurs

AMC Seattle:

Them that Follow (Brittany Poulton & Dan Madison Savage) Fri-Thurs
Ecco (Ben Medina) Fri-Thurs

Seattle Art Museum:

Mr. and Mrs. Smith (Alfred Hitchcock, 1941) Thurs Only

Angels are Made of Light (James Longley) Fri-Sun

Hello, Dolly! (Gene Kelly, 1969) Sun & Weds Only
Millennium Actress (Satoshi Kon, 2001) Tues Only Subtitled
Woodstock (Michael Wadleigh, 1970) Thurs Only

SIFF Uptown:

The Reports on Sarah and Saleem (Muayad Alayan) Fri-Thurs
Echo in the Canyon (Andrew Slater) Fri-Thurs
Gilda (Charles Vidor, 1946) Sat Only

Every Time I Die (Robi Michael) Fri-Thurs
Woodstock or Bust (Leslie Bloom) Sun Only
Hello, Dolly! (Gene Kelly, 1969) Weds Only

In Wide Release:

Once Upon a Time in Hollywood (Quentin Tarantino) Our Review

Friday August 2 – Thursday August 8

August 1, 2019August 8, 2019 ~ Sean Gilman

Featured Film:

Welcome to Wakaliwood at the Beacon

Sure they’ve got a killer Gena Rowlands/John Cassavetes series, and a new August program starting full of movies about the horrors of 1980s suburbia, but you won’t find anything more fun on Seattle Screens this week than the double feature of no-budget Ugandan action films playing Friday and Saturday at the Beacon. They’ve got 2010’s Who Killed Captain Alex? (which I haven’t seen yet) and 2016’s Bad Black (which I have and it’s amazing: the purest expression of the joy of making cinema that I’ve seen this decade). Don’t miss out.

Playing This Week:

The Last Black Man in San Francisco (Joe Talbot) Fri-Thurs

Streetwise (Martin Bell, 1984) Fri, Tues-Thurs
Who Killed Captain Alex?/Bad Black (Nabwana IGG, 2010/2016) Fri & Sat Only Our Review
Opening Night (John Cassavetes, 1977) Sat-Mon Only
Love Streams (John Cassavetes, 1984) Sat, Sun & Thurs Only Our Podcast
Gloria (John Cassavetes, 1980) Tues-Thurs Only
A Woman Under the Influence (John Cassavetes, 1974) Weds Only
River’s Edge (Tim Hunter, 1986) Sun-Tues Only
Demons (Lamberto Bava, 1985) Mon Only

The Goonies (Richard Donner, 1985) Fri-Weds
Die Hard with a Vengeance (John McTiernan, 1995) Fri-Weds

SIFF Egyptian:

Phantom Mary (Aniello De Angelis) Tues Only

Ardaas Karaan (Gippy Grewal) Fri-Thurs
Chal Mera Putt (Janjot Singh) Fri-Thurs

Sword of Trust (Lynn Shelton) Fri-Thurs
Maiden (Alex Holmes) Fri-Thurs
Reservoir Dogs (Quentin Tarantino, 1992) Sat Only
Toni Morrison: The Pieces I Am (Timothy Greenfield-Sanders) Tues Only
Agave: The Spirit of a Nation (Nick Kovacic, Matthew Riggieri) Weds Only

Luz (Tilman Singer) Fri-Thurs
The Fall of the American Empire (Denys Arcand) Fri-Thurs

Guna 369 (Arjun Jandyala) Fri-Thurs
Jackpot (S. Kalyaan) Fri-Thurs
Khandaani Shafakhana (Shilpi Dasgupta) Fri-Thurs
Oh Baby (B. V. Nandini Reddy) Fri-Thurs
Rakshasudu (Ramesh Varma) Fri-Thurs
Dear Comrade (Bharat Kamma) Fri-Thurs
Judgementall Hai Kya (Prakash Kovelamudi) Fri-Thurs
Super 30 (Vikas Bahl) Fri-Thurs
I Love You (R. Chandru) Sat & Sun Only
Sathyam Paranja Viswasikkuvo (Prajith Karanavar) Sat & Sun Only

Maiden (Alex Holmes) Fri-Thurs

Jawline (Liza Mandelup) Fri, Sat & Weds Only
California on Fire (Jeff Frost) Fri Only Director Q&A
Aberdeen (Colton Van Til) Weds & Thurs Only
Partners (Henry Horenstein) Thurs Only Director Q&A

Marianne & Leonard: Words of Love (Nick Broomfield) Fri-Thurs
Friend Zone (Chayanop Boonprakob) Fri-Thurs

Super 30 (Vikas Bahl) Fri-Thurs

Seattle Art Museum:

The More the Merrier (George Stevens, 1942) Thurs Only

Rojo (Benjamín Naishtat) Fri-Sun

SIFF Uptown:

Sword of Trust (Lynn Shelton) Fri-Thurs
The Last Black Man in San Francisco (Joe Talbot) Fri-Thurs
42nd Street (Lloyd Bacon, 1933) Sat Only
Kedi (Ceyda Torun) Thurs Only