This week Mike and Sean, for the third time, trek out to downtown Seattle to catch the opening night of the new Johnnie To film, the hospital-set thriller Three, with Louis Koo, Zhao Wei and Wallace Chung. Paired with it is another thriller set in a hospital, Samuel Fuller’s 1963 Shock Corridor, about a journalist who goes undercover in a mental institution and comes unglued.
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Philip Ahn, who played Dr. Hong in Shock Corridor, was Korean-American, not Chinese American.
Playing at the Grand Illusion this week is Samantha Fuller’s 2013 documentary about her father, A Fuller Life. Aside from a short introduction explaining the concept, her movie consists entirely of excerpts from Fuller’s memoir, as read by a variety of his friends, co-workers and fans (generally shot in the kind of propulsive close-ups so recognizable from Fuller’s films). The images we see are a combination of archival footage, clips from Fuller’s movies and never-before-seen 16mm home movies shot by Sam over the decades. It’s a loving account of a remarkable American, one of the unique and definitive personalities of the 20th Century. Beginning his professional life as a newspaper boy in 1920s Manhattan, he quickly worked his way up to teenaged crime reporter. During the Depression he set out across the country, making his living as a freelance journalist and pulp novelist, chronicling the darkest corners of a turbulent decade (an anecdote he relates about a KKK woman is especially vivid). At the end of the 30s, he settled down in Hollywood, making a living as a screenwriter for hire.
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