The second phase of Awards Season is upon us, with early Oscar contenders spreading like a winter cold across Seattle Screens. Late November is the final stretch before the Christmas glut, when studios dump all their high profile releases at the same time, a phenomenon which never ceased to amaze me in my former life in the theater business: the early weeks of December are always a wasteland, while a dozen quality films come out at the same time at the end of the month, stretching into January, when certain releases will finally make it out of the New York-LA bubble to grace us in the hinterlands with their Oscar lunges. Most November releases will be forgotten by that time, the awards bloggers twiddling with their own self-created narratives, while the actual business of handing out awards is mostly accomplished. I caught up with a few of the films with strong cases for end-of-the-year recognition last weekend at the local mall, Brooklyn, Spotlight and Creed, all of which are very fine films you can catch all over town, at least for a couple more weeks.