SIFF 2016 Report #2: The Big Road, The Island Funeral, Heaven Can Wait, The Final Master and My Beloved Bodyguard

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Brief accounts of a handful of films from the SIFF’s second week as it rolls into its third.

The Big Road (Sun Yu, 1935) – Something like an amalgam of Our Daily Bread and Mrs. Miniver for the Anti-Japanese War, by which I mean it’s a propaganda film celebrating first the communal virtues of collectivist rural life (the hard work of uniting the nation through literal road-building) and then the bold heroism of that collective as it stands against Imperialist aggression, in the form of the traitorous land-owning, but not land-working, class (relics of Old China, these rulers wear 19th Century clothes, and live in Qing mansions, the feudal system in opposition to the power of the Modern Industrial Worker). It ambles, plotless for most of its length, but it’s accumulated enough power that by the end, as its hero (eight characters combine to form one hero, a communist Voltron) is smashed to bits by advanced machines of war, it resembles nothing less than “Guernica” in its devastation.

Continue reading “SIFF 2016 Report #2: The Big Road, The Island Funeral, Heaven Can Wait, The Final Master and My Beloved Bodyguard

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