The first of two remarkable performances from Isabelle Huppert this year comes as a teacher of philosophy who in late middle-age finds herself with a remarkable amount of freedom and not much idea of what to do with it. Saddled at the beginning of the film with a husband, adult children, friendly former students, an overbearing mother, and a book contract, she loses each one in turn. The husband admits he’s having an affair (“why tell me?” is her gloriously French deadpan response), the kids are off to school, the maddening publicity representatives of her publisher pelt her with inane ideas and finally cut her loose, the mother even dies, leaving her a cat. She takes the cat (Pandora, naturally) to the mountains, a remote writer’s commune, at the invitation of one of her former students. She hangs out with the idealistic twenty-somethings and listens to their deeply-felt internecine lefty squabbles and feels no connection to any of it: these passions are her past. Where Hansen-Løve’s last film, Eden (which played here at SIFF last year) was the life story of a man whose life never really got going, trapped in a perpetual loop of the early 20s, always on the verge but never quite becoming anything, until one day he’s middle-aged and never made it, Things to Come tackles what accomplishment means in life from the other end of the age spectrum. By any conventional standard, Huppert had it all: friends, family, fulfilling employment, but strip all that away and she finds she’s not much different from Eden‘s hero. We are, in most ways, defined by what we do and who we interact with on a daily basis, our role in life is too often conflated with our life itself. Hansen-Løve is after something else though, searching for an irreducible core to our humanity. If anyone can find it, Isabelle Huppert can.
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