Friday February 17 – Thursday February 23

Featured Film:

Noir City at the SIFF Egyptian

Eddie Muller’s annual festival of 35mm film noir returns to the Egyptian this week. This year’s theme is heist movies, and the titles range from John Huston’s The Asphalt Jungle to 2015’s Victoria. Muller always puts on a great show, a mix of recognized classics, under-known gems and genuine oddities. Among this year’s lineup, I’ve seen and recommend the following: The Killing, The Ladykillers, The Taking of Pelham 1-2-3,  and Rififi. The ones I haven’t seen that I’d line up for include: Charley Varrick, Cruel Gun Story, Violent Saturday, Straight Time and Blue Collar.

Playing This Week:

AMC Alderwood:

Confidential Assigmment (Kim Sung-hoon) Fri-Thurs
I Am Not Your Negro (Raoul Peck) Fri-Thurs Our Review

Ark Lodge Cinemas:

I Am Not Your Negro (Raoul Peck) Fri-Thurs Our Review

Central Cinema:

Citizen Kane (Orson Welles, 1941) Fri-Weds Our Review
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004) Fri-Weds

SIFF Egyptian:

Noir City Film Festival Fri-Weds Full Program

Grand Cinema:

Paterson (Jim Jarmusch) Fri-Thurs Our Review Our Other Review
Toni Erdmann (Maren Ade) Fri-Thurs Our Review Our Other Review
Oscar Nominated Animated Shorts (Various) Sat Only
Willy Wonka & the Chocolate Factory (Mel Stuart, 1971) Sat Only Free
Oscar Nominated Documentary Shorts (Various) Tues Only
I, Claude Monet (Phil Grabsky) Thurs Only

Grand Illusion Cinema:

Fire at Sea (Gianfranco Rosi) Fri-Thurs
The Love Witch (Anna Biller) Sat Only Our Review 35mm
Saturday Secret Matinees: Presented by the Sprocket Society (Various directors & years) Sat Only 16mm
Antarctica: Ice & Sky (Luc Jacquet) Sat, Mon & Tues Only
Deep Inside Annie Sprinkle (Annie Sprinkle, 1981) Weds Only
Confessions from the War (Leon Shahabian) Thurs Only Work-in-Progress

Landmark Guild 45th:

Oscar Nominated Live-Action Shorts (Various) Fri-Thurs
Oscar Nominated Animated Shorts (Various) Fri-Thurs
20th Century Women (Mike Mills) Fri-Thurs

Cinemark Lincoln Square:

The Ghazi Attack (Sankalp Reddy) Fri-Thurs
Irada (Aparnaa Singh & Nishant Tripathi) Fri-Thurs
Running Shaadi (Amit Roy) Fri-Thurs
Jolly LLB 2 (Subhash Kapoor) Fri-Thurs

Northwest Film Forum:

The Son of Joseph (Eugène Green) Fri-Sun Only
The 2017 South Asian International Documentary Festival Sat & Sun Only Full Program
Trends in Latin American Experimental Animation Mon Only Curators in Attendance
Daughters of the Dust (Julie Dash, 1991) Weds & Thurs Only Our Review
UNCODE at the Forum Thurs Only
Seattle Asian American Film Festival Starts Thurs Full Program

AMC Pacific Place:

Cook Up a Storm (Raymond Yip) Fri-Thurs
Journey to the West: The Demons Strike Back (Tsui Hark) Fri-Thurs Our Review
Duckweed (Han Han) Fri-Thurs

Regal Parkway Plaza:

I Am Not Your Negro (Raoul Peck) Fri-Thurs Our Review
Oscar Nominated Live-Action Shorts (Various) Fri-Thurs
Oscar Nominated Animated Shorts (Various) Fri-Thurs
My Ex and Whys (Cathy Garcia-Molina) Fri-Thurs
Singam 3 (Hari) Fri-Thurs
Dangal (Nitesh Tiwari) Fri-Thurs

Seattle Art Museum:

The Conformist (Bernardo Bertolucci, 1970) Thurs Only

AMC Southcenter:

Everybody Loves Somebody (Catalina Aguilar Mastretta) Fri-Thurs

Sundance Cinemas:

The Red Turtle (Michaël Dudok de Wit) Fri-Thurs
I Am Not Your Negro (Raoul Peck) Fri-Thurs Our Review
Neruda (Pablo Larraín) Fri-Thurs Our Review
Oscar Nominated Documentary Shorts (Various) Fri-Thurs

SIFF Uptown:

Toni Erdmann (Maren Ade) Fri-Thurs Our Review Our Other Review
I Am Not Your Negro (Raoul Peck) Fri-Weds Our Review
Oscar Nominated Live-Action Shorts (Various) Fri-Thurs
Oscar Nominated Animated Shorts (Various) Fri-Thurs
Titanic (James Cameron, 1997) Sun Only

In Wide Release:

The Great Wall (Zhang Yimou) Our Review
John Wick: Chapter 2 (Chad Stahelski) Our Review
Resident Evil: The Final Chapter (Paul WS Anderson) Our Review
Split (M. Night Shyamalan) Our Review
Hidden Figures 
(Theodore Melfi) Our Review
Fences (Denzel Washington) Our Review
La La Land (Damien Chazelle) Our Review
Moonlight 
(Barry Jenkins)  Our Review
Arrival (Denis Villeneuve) Our Review
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The Great Wall (Zhang Yimou, 2016)

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The Great Wall, an experiment in co-production between Hollywood and China, opens with the spinning globe of the Universal Studios logo, its computer-generated image rotating slowly as it zooms in on the eponymous defensive fortification, helpfully orienting the hoped-for American audience by showing them where exactly the nation of China is located. Matt Damon is our audience surrogate, a white man on the road to China to trade for (that is, steal) gunpowder, heretofore undiscovered in Christendom. He encounters The Wall and learns that it is designed not to defend against the horse archers of the Mongolian steppes, but rather vicious alien lizards that hatch every 60 years and attempt to eat everything in sight: half giant iguana, half locust, half cicada. The well-organized and color-coordinated Chinese soldiers manning The Wall are initially suspicious of Damon and his friend, played by Pedro Pascal, but eventually they join the fight in a series of entertaining spectacles leavened by a few moments of such beauty that you remember that this is a Zhang Yimou film after all.

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