Seattle Screen Scene

Charade (Stanley Donen, 1963) Fri-Sat, Mon-Tues Our Podcast
Humpday (Lynn Shelton, 2009) Fri-Tues

Ip Man 3 (Wilson Yip) Fri-Thurs Our Review
To Catch a Thief (Alfred Hitchcock, 1955) Sun & Weds Only

45 Years (Andrew Haigh) Fri-Thurs Our Review
Anomalisa (Charlie Kaufman & Duke Johnson) Fri-Thurs Our Review
Lazer Team (Matt Hullum) Fri Only
Oscar Nominated Documentary Short Films Tues Only

Hitchcock/Truffaut (Kent Jones) Sun, Tues-Thurs
Notorious (Alfred Hitchcock, 1946) Sat, Sun & Tues Only 35mm
Mississippi Mermaid (François Truffaut, 1969) Sat, Sun & Thurs Only 35mm
Lux Lives Movie Night Fri Only Video
The Sprocket Society presents Saturday Secret Matinees Sat Only
Pieces (Juan Piquer Simon, 1982) Sat & Weds Only 35mm

Anomalisa (Charlie Kaufman & Duke Johnson) Fri-Thurs Our Review
Oscar Nominated Live Action Short Films Fri-Thurs
Oscar Nominated Animated Short Films Fri-Thurs Our Review

Airlift (Raja Menon) Fri-Thurs
Bangalore Naatkal (Bhaskar) Fri-Thurs
Ghayal Once Again (Sunny Deol) Fri-Thurs
To Catch a Thief (Alfred Hitchcock, 1955) Sun & Weds Only

Airlift (Raja Menon) Fri-Thurs

Iraqi Odyssey (Samir) Fri-Mon
The Automatic Hate (Justin Lerner) Fri-Sun Q & A with Producer
Live from UB (Lauren Knapp) Weds Only
I Am A Knife With Legs (Bennett Jones) Weds Only

AMC Loews Oak Tree:

Ip Man 3 (Wilson Yip) Fri-Thurs Our Review

Ip Man 3 (Wilson Yip) Fri-Thurs Our Review
The Monkey King 2 (Soi Cheang) Fri-Thurs
From Vegas to Macau III (Andrew Lau & Wong Jing) Fri-Thurs

The Paramount Theatre:

The Gold Rush (Charles Chaplin) Mon Only

Everything About Her (Bb. Joyce Bernal) Fri-Thurs
Ip Man 3 (Wilson Yip) Fri-Thurs Our Review

Ong-Bak (Prachya Pinkaew, 2003) Fri Only
The Parallax View (Alan J. Pakula, 1974) Sat Only
The Kid (Charles Chaplin, 1921) Sun Only
Working Girl (Mike Nichols, 1988) Sun Only
Bonnie & Clyde (Arthur Penn, 1967) Mon Only
Foreign Correspondent (Alfred Hitchcock, 1940) Tues Only
Gun Crazy (Tamra Davis, 1992) Weds Only
Framing Pictures: A Floating Conversation about Film Thurs Only

Landmark Seven Gables:

Son of Saul (László Nemes) Fri-Thurs

Continue reading “Hail, Caesar! (The Coen Brothers, 2016)” →

Regression (Alejandro Amenábar) Fri-Thurs

Sundance Cinemas:

Oscar Nominated Documentary Short Films Fri-Thurs
Regression (Alejandro Amenábar) Fri-Thurs

SIFF Cinema Uptown:

45 Years (Andrew Haigh) Fri-Thurs Our Review
River of Fundament Acts 1-3 (Mathew Barney) Fri-Thurs In Three Parts

Varsity Theatre:

Misconduct (Shintaro Shimosawa) Fri-Thurs

In Wide Release:

Hail, Caesar! (Joel & Ethan Coen) Our Review
13 Hours (Michael Bay) Our Review
The Revenant (Alejandro González Iñárritu) Our Review
The Hateful 8 (Quentin Tarantino) Our Review
The Force Awakens (JJ Abrams) Our Podcast
Concussion (Peter Landesman) Our Review
Sisters (Jason Moore) Our Review
Brooklyn (John Crowley) Our Review
Spotlight (Tom McCarthy) Our Review
Creed (Ryan Coogler) Our Review
Bridge of Spies (Steven Spielberg) Our Review
The Martian (Ridley Scott) Our Review

Hail, Caesar! (The Coen Brothers, 2016)

February 3, 2016 ~ Sean Gilman ~ 1 Comment

hail-caesar

The latest from multi-hyphenate siblings Joel & Ethan Coen is a kaleidoscopic extravaganza of half-formed thoughts and half-forgotten genres, a mishmash of Late Movie references and late night insights, a career-summarizing work that pairs the yearning search for metaphysical certainty in a violently random universe that has marked their 21st Century output with a ramblingly digressive celebration of the cinematic creativity that stands so boldly in denial of the dissolution of meaning that is the modern world. With a rollicking energy they haven’t employed since O Brother Where Art Thou, Hail, Caesar! shifts madly across the spectrum of studio-era Hollywood genres: musical numbers, screwball exchanges, singing cowboys, fedoras and shadows, drawing room dramas and celebrity gossip swirl around 28 hours in the life of Eddie Mannix, studio executive, as he navigates crises both large (the kidnapping of the star of his sword and sandal biblical epic by a ring of Communist screenwriters) and small (the unmarried pregnancy of an established star, the acting challenges and fledgling romance of a budding one), while weighing a job offer from outside the industry and trying to reconcile his devout Catholicism with the truth-stretching demands of his profession.

Friday January 29 – Thursday February 4

January 29, 2016February 5, 2016 ~ Sean Gilman

Featured Film:

45 Years at the SIFF Uptown

Andrew Haigh’s follow-up to his critically-acclaimed 2011 film Weekend, which was about the first stages of a budding romance, looks at love and relationships from the opposite end of their lifespan. Tom Courtenay and Charlotte Rampling star as a couple who’ve been married for the eponymous amount of time. When a revelation about an event long ago in her husband’s past begins to throw everything she thought she knew about him and their life together out of balance, Rampling finds she must investigate further, regardless of the radically reevaluative consequences. Sharply focused, attuned to the smallest details of behavior and performance, Haigh’s chamber melodrama is masterfully acted by the two British veterans. A simple look, a sound, a gesture is shattering. Our Review

Playing This Week:

Young Frankenstein (Mel Brooks, 1974) Fri-Mon
Groundhog Day (Harold Ramis, 1993) Fri-Tues
The Hunger (Tony Scott, 1983) Thurs Only

Ip Man 3 (Wilson Yip) Fri-Thurs Our Review
Blazing Saddles (Mel Brooks, 1974) Sun & Weds Only

The Assassin (Hou Hsiao-hsien) Fri & Sat Only Our Review Our Other Review
Anomalisa (Charlie Kaufman & Duke Johnson) Fri-Thurs Our Review
Hitchcock/Truffaut (Kent Jones) Tues Only
Eyes of the Totem (WS Van Dyke, 1927) Weds Only

Hitchcock/Truffaut (Kent Jones) Fri-Thurs
Stunt Rock (Brian Tenchard-Smith, 1980) Sat Only 35mm
The Sprocket Society presents Saturday Secret Matinees Sat Only

Anomalisa (Charlie Kaufman & Duke Johnson) Fri-Thurs Our Review
Oscar Nominated Live Action Short Films Fri-Thurs
Oscar Nominated Animated Short Films Fri-Thurs Our Review

Airlift (Raja Menon) Fri-Thurs
Mastizaade (Milap Zaveri) Fri-Thurs
Saala Khadoos (Sudha Kongara Prasad) Fri-Thurs
Blazing Saddles (Mel Brooks, 1974) Sun & Weds Only

Airlift (Raja Menon) Fri-Thurs

The Man Who Fell to Earth (Nicolas Roeg, 1976) Weds Only
Note to Self: Psychosexual films of Nazli Dincel Thurs Only

Ip Man 3 (Wilson Yip) Fri-Thurs Our Review
Everybody’s Fine (Zhang Meng) Fri-Thurs

Everything About Her (Bb. Joyce Bernal) Fri-Thurs

Terror Train (Roger Spottiswoode, 1980) Fri Only
The Great Silence (Sergio Corbucci, 1968) Sat Only
The Jackie Robinson Story (Alfred E. Green, 1950) Sun Only
Shower (Zhang Yang, 1999) Sun Only

Fellini’s Roma (Federico Fellini, 1972) Thurs Only 35mm

Dangerous Men (John S. Rad, 2005) Fri-Sun Only Our Review
SOMM: Into the Bottle (Jason Wise) Fri-Sun Only

Sundance Cinemas:

Oscar Nominated Documentary Short Films Fri-Thurs

SIFF Cinema Uptown:

45 Years (Andrew Haigh) Fri-Thurs Our Review
Jim: The James Foley Story (Brian Oakes) Tues Only

Varsity Theatre:

Anesthesia (Tim Blake Nelson) Fri-Thurs

In Wide Release:

13 Hours (Michael Bay) Our Review
The Revenant (Alejandro González Iñárritu) Our Review
The Hateful 8 (Quentin Tarantino) Our Review
The Force Awakens (JJ Abrams) Our Podcast
Concussion (Peter Landesman) Our Review
Sisters (Jason Moore) Our Review
Brooklyn (John Crowley) Our Review
Spotlight (Tom McCarthy) Our Review
Creed (Ryan Coogler) Our Review
Bridge of Spies (Steven Spielberg) Our Review
The Martian (Ridley Scott) Our Review

2016 Oscar-Nominated Animated Short Films

January 23, 2016January 24, 2016 ~ Michael Strenski

world of tomorrow

We are living in a glorious age of animation. Some of the best programs on television are animated. From the great Gravity Falls to the always awesome Adventure Time and on to the fractured genius of Rick and Morty, animation has been fertile ground for visionary storytellers as of late. Cinema has not been ignored either. Heralded auteurs Wes Anderson and Charlie Kaufman have both made the move to stop-motion features. Kaufman’s Anomalisa is one of five films duking it out in this year’s Best Animated Feature race. For all of the flack the Academy has received for its homogenized choices this year, the Oscars should be commended for their Animated Feature field which sports five idiosyncratic films, only one with talking animals. Three of the five nominees come from foreign countries, two are stop motion and only one is completely computer generated. One! The days of dominance from the big studios like Dreamworks and Disney are over, at least temporarily.

bear story

Then why are most of this year’s five nominees for Best Animated Short so pedestrian? It’s odd that the features are more adventurous in their narratives and visual style than the shorts. There are certainly novel elements to the short films, whether it is the fluid “one-shot” look of the hand-drawn Prologue or the eye-popping color of Sanjay’s Super Team from Pixar. But some of these films feel like half an idea or their mission statement overwhelms the narrative itself. Both are the case with Bear Story from Chilean director Gabriel Osoro. The film is about a toy-making bear who builds a box that cranks out a mechanical version of his imprisonment in the circus and eventual escape back to his family. The animation is solid for the toy sequences but a little too flashy at other spots (Osoro really likes showing off the computer’s ability to generate dust floating in sunbeams) and the whole thing doesn’t quite gel.

prologue

While Osoro’s well-placed abhorrence of the circus can be seen as heavy-handed in Bear Story it’s got nothing on Prologue‘s clunky treatise on the inhumanity of war. Director Richard Williams tells a silent tale with just pencil and paper that begins with a leaf before flying across the page to a centuries-old battle with shields and swords. Naked men thrust at one another, slicing arteries and severing genitalia, all gruesome images seen by a young child who runs back to the safe confines of their mother’s dress. The end. There isn’t anything more to it than that. And while the hand-drawn style is sweeping in its motion, freezing any frame in the battle would just look like something out of that stoner kid in high school’s notebook.

We Can't Live Without Cosmos short film

More effective and affecting is the Russian curio We Can’t Live Without Cosmos from Konstantin Bronzit. The film is about two cosmonauts who are inseparable. They share a deep love of space and one another. The film begins with some goofy humor as the duo work their way through their rigorous training regimen before the film turns into an exploration of loss. There are some indelible images contained within, if not any impressive animation. The turn of events from the thrill of exploration to the dull of devastation is interesting but not necessarily better than the deadpan antics that came before it.

sanjay

Longtime Pixar animator Sanjay Patel gets his first directing credit on the personal Sanjay’s Super Team. The title character is a restless boy who daydreams that he teams up with Hindu gods to defeat a villain demolishing a temple. It’s no surprise coming from Pixar that the short looks fantastic. The sound design is equally stunning with a great blending of the musical score with the action onscreen. If anything Sanjay’s Super Team should have been longer than its seven minutes, as the film brings up some great possibilities that are left mostly unexplored. If you’re searching for an animated look at the complexity of Hindu culture, stick with Nina Paley’s Sita Sings the Blues.

world of tomorrow snow

Which leaves us with Don Hertzfeldt’s World of Tomorrow. Hertzfeldt’s film, about a young girl being visited by a clone of herself from the future, is the only nominee that can hold its own with the aforementioned animated features. In a mere 16 minutes World of Tomorrow manages to cram in meditations on love, identity, and loss across a distinctively designed digital landscape. There is enough narrative here for a feature. Hertzfeldt’s decision to keep it confined to a short means that it’s bursting at the seams with ideas. The film is heartrendingly sad yet it brims with a resounding sense of wonder. It’s a film of bleak humor that doesn’t much care if we laugh at it, at ourselves, or at the world. World of Tomorrow is not just the best animated short of the year, it’s one of the very best films–animated, short, or otherwise.

(The 2016 Oscar-Nominated Animated Short Films play exclusively at Landmark’s Guild 45th for two weeks beginning January 29. Note that the program includes an additional four shorts non-nominated that were not available for review.)

Friday January 22 – Thursday January 28

January 22, 2016January 29, 2016 ~ Sean Gilman

Featured Film:

Two Chinese Films at the Pacific Place

A pair of big Chinese releases open this week at the AMC Pacific Place. First is Ip Man 3 (which also plays this week at the Century in Federal Way), the latest in the series of films about the kung fu master starring Donnie Yen and directed by Wilson Yip (and not to be mixed up with the other three Ip Man films, two of which were directed by Herman Yau and one by Wong Kar-wai). In this installment, Donnie’s Master Ip defends his son’s school from an army of toughs led by none other than former Heavyweight Champion Mike Tyson. Also opening is Monster Hunt, the effects-driven extravaganza that last summer became the highest grossing local film in China’s history. It’s directed by Raman Hui, a veteran of Hollywood’s Shrek series and stars Bai Baihe along with a plethora of veteran Hong Kong and Mainland stars, in a story mixing wuxia comedy and adorably goofy CGI creatures. Our Reviews

Playing This Week:

Dr. Strangelove (Stanley Kubrick, 1964) Fri-Tues
Grey Gardens (Albert & David Maysles, Ellen Hovde & Muffie Meyer, 1975) Fri-Tues
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004) Tues Only Brain Doctors in Attendance

Ip Man 3 (Wilson Yip) Fri-Thurs Our Review
The Treasure of the Sierra Madre (John Huston, 1948) Sun & Weds Only

Anomalisa (Charlie Kaufman & Duke Johnson) Fri-Thurs Our Review
How to Change the World (Jerry Rothwell) Tues Only
Eyes of the Totem (WS Van Dyke, 1927) Weds Only

World of Kanako (Tetsuya Nakashima) Fri-Thurs
Anthem of the Heart (Tatsuyuki Nagai) Fri-Sun
Heart of a Dog (Laurie Anderson) Sun-Weds
The Sprocket Society presents Saturday Secret Matinees Sat Only
Stunt Rock (Brian Tenchard-Smith, 1980) Thurs & Next Sat Only 35mm

Anomalisa (Charlie Kaufman & Duke Johnson) Fri-Thurs Our Review

Airlift (Raja Menon) Fri-Thurs
Nannaku Prematho (Sukumar) Fri-Thurs
Express Raja (Merlapaka Gandhi) Fri-Thurs
Soggade Chinni Nayana (Kalyan Krishna) Fri-Thurs
The Treasure of the Sierra Madre (John Huston, 1948) Sun & Weds Only

Airlift (Raja Menon) Fri-Thurs

Children’s Film Festival Seattle 2016 Jan 21-31 Full Program

Ip Man 3 (Wilson Yip) Fri-Thurs Our Review
Monster Hunt (Raman Hui) Fri-Thurs Our Review
Detective Chinatown (Chen Sicheng) Fri-Thurs

All You Need Is Pag-Ibig (Antoinette Jadaone) Fri-Thurs

Meet John Doe (Frank Capra, 1941) Fri Only
Pandemonium (Alfred Sole, 1982) Sat Only
Vera Cruz (Robert Aldrich, 1954) Sun Only
Chris Marker Group Mon Only
Frenzy (Alfred Hitchcock, 1972) Tues Only
Alice (Jan Švankmajer, 1988) Weds Only
The January Man (Pat O’Connor, 1989) Weds Only

The Witches (Pasolini, Visconti, Rossi, De Sica & Bolognini, 1967) Thurs Only 35mm

Landmark Seven Gables:

Mustang (Deniz Gamze Ergüven) Fri-Thurs Our Review

Continue reading “Ip Man 3 (Wilson Yip, 2015) and Monster Hunt (Raman Hui, 2015)” →

Out 1: Noli me tangere (Jacques Rivette, 1971) Sun Only

Sundance Cinemas:

Lamb (Ross Partridge) Fri-Thurs

In Wide Release:

13 Hours (Michael Bay) Our Review
The Revenant (Alejandro González Iñárritu) Our Review
The Hateful 8 (Quentin Tarantino) Our Review
The Force Awakens (JJ Abrams) Our Podcast
Concussion (Peter Landesman) Our Review
Sisters (Jason Moore) Our Review
Brooklyn (John Crowley) Our Review
Spotlight (Tom McCarthy) Our Review
Creed (Ryan Coogler) Our Review
Bridge of Spies (Steven Spielberg) Our Review
The Martian (Ridley Scott) Our Review

Ip Man 3 (Wilson Yip, 2015) and Monster Hunt (Raman Hui, 2015)

January 21, 2016 ~ Sean Gilman ~ 4 Comments

Ip-Man-photo-2

The disaporic film program at the AMC Pacific Place this week features two of the hottest Chinese-language films of the past year: the latest in Donnie Yen’s series about Wing Chun Master Ip Man and the CGI monster-wuxia that took the Chinese box office by storm last summer, breaking records on its way to becoming the highest-grossing local film in the Mainland’s history. The two films represent state of the art variations on the two oldest forms of the Chinese martial arts film, kung fu and wuxia tricked out with digital manipulations and effects, packed with enough celebrity cameos and show-stopping stunts to make even the most generic or implausible story a lot of fun.

Friday January 15 – Thursday January 21

January 15, 2016January 22, 2016 ~ Sean Gilman

Featured Film:

Laurie Anderson at the Grand Illusion

Extended beyond a two week run that was already an extension of a run late last year at the Northwest Film Forum, Laurie Anderson’s sprawling, funny, devastating essay film Heart of a Dog is back for four more days this week at the Grand Illusion. Ostensibly a film about her beloved dog, Anderson muses on everything from 9/11 to her own childhood memories, processing tragedy and celebrating life. Over it all, but unnamed hangs the death of her husband, Lou Reed. In conjunction, for one night only, the Grand Illusion is also playing a 35mm print of Anderson’s 1986 concert film Home of the Brave, which features William S. Burroughs.

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Playing This Week:

Some Like It Hot (Billy Wilder, 1959) Fri-Sun
Saturday Night Fever (John Badham, 1977) Fri-Sun
Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004) Tues Only Brain Doctors in Attendance

Nannaku Prematho (Sukumar) Fri & Sat
The Tiger (Park Hoonjung) Fri-Thurs
Butch Cassidy and the Sundance Kid (George Roy Hill, 1969) Sun & Weds Only

Taxi (Jafar Panahi) Fri-Thurs
Labyrinth (Jim Henson, 1986) Fri, Sun, Mon & Weds Only
Black Panthers: Vanguard of the Revolution (Stanley Nelson) Tues Only
Breakfast at Tiffany’s (Blake Edwards, 1961) Weds Only

Heart of a Dog (Laurie Anderson) Sun-Weds
The Man Who Saved the World (Turkish Star Wars) (Çetin İnanç, 1982) Thurs Only Our Review
The Sprocket Society presents Saturday Secret Matinees Sat Only
VHS Über Alles presents Ninja: Silent Assassin (Godfrey Ho, 1987) Sat Only VHS
Home of the Brave (Laurie Anderson, 1986) Fri Only 35mm
Dreams Rewired (Manu Luksch, Martin Reinhart & Thomas Tode) Fri-Thurs Our Review

Anomalisa (Charlie Kaufman & Duke Johnson) Fri-Thurs Our Review

Wazir (Bejoy Nambiar) Fri-Thurs
Nannaku Prematho (Sukumar) Fri-Thurs
Express Raja (Merlapaka Gandhi) Fri-Thurs
Soggade Chinni Nayana (Kalyan Krishna) Fri-Thurs
Butch Cassidy and the Sundance Kid (George Roy Hill, 1969) Sun & Weds Only

Theeb (Jani Abu Nowar) Fri-Tues
Sundance Native Lab Shorts Fri Only
Children of the Civil Rights (Julia Clifford) Sat Only Q & A After
Sex & Broadcasting Sun Only

Detective Chinatown (Chen Sicheng) Fri-Thurs
Mr. Six (Guan Hu) Fri-Thurs Our Review

All You Need Is Pag-Ibig (Antoinette Jadaone) Fri-Thurs
Dictator (Sriwass) Fri-Thurs

Shampoo (Hal Ashby, 1975) Fri Only
Yeti: The Giant of the 20th Century (Gianfranco Parolini, 1977) Sat Only
Anything Goes (Lewis Milestone, 1936) Sun Only
Selma (Ava DuVernay, 2014) Mon Only
Death By Design (Peter Friedman & Jean-Francois Brunet, 1995) Tues Only
Shoot the Piano Player (François Truffaut, 1960) Weds Only

Continue reading “Anomalisa (Charlie Kaufman & Duke Johnson, 2015)” →

Butch Cassidy and the Sundance Kid (George Roy Hill, 1969) Weds Only
Band of Robbers (Adam & Aaron Nee) Fri-Thurs

In Wide Release:

13 Hours (Michael Bay) Our Review
The Revenant (Alejandro González Iñárritu) Our Review
The Hateful 8 (Quentin Tarantino) Our Review
The Force Awakens (JJ Abrams) Our Podcast
Concussion (Peter Landesman) Our Review
Sisters (Jason Moore) Our Review
Brooklyn (John Crowley) Our Review
Spotlight (Tom McCarthy) Our Review
Creed (Ryan Coogler) Our Review
Bridge of Spies (Steven Spielberg) Our Review
The Martian (Ridley Scott) Our Review
Sicario (Denis Villeneuve) Our Review

Anomalisa (Charlie Kaufman & Duke Johnson, 2015)

January 14, 2016 ~ Sean Gilman ~ 1 Comment

anomalisa

One of the last major 2015 releases to find its way to Seattle Screens opens this week at the Guild 45th (we still have 45 Years, Arabian Nights, In the Shadow of Women and Knight of Cups to come over the next several weeks), with the release of the latest film from Hollywood’s favorite self-loathing narrative-tangler, Charlie Kaufman. Teamed with co-director Duke Johnson and producers Dino Stamatopolous and Dan Harmon (among others), Kaufman has adapted his own play into a stop-motion animated film about a man (voiced by David Thewlis) who travels to Cincinnati for a conference. Lonely and depressive, he first tries to reconnect with an old flame, then finds himself attracted to a woman in the hotel. She catches his ear (and eye, eventually) because, unlike everyone else (besides him) in his world, she doesn’t look like Michael Ian Black and she doesn’t talk like Tom Noonan: she’s the voice of Jennifer Jason Leigh. A touching night of human (well, puppet) connection is followed by some explicit puppet sex, followed by a nightmare and then a nightmarish world. Like all of Kaufman’s films (both as a director and a screenwriter) it’s an uneasy mix of weird humor and sadness, and like all of them Kaufman refuses to give us the happy ending.

13 Hours (Michael Bay, 2016)

January 14, 2016June 4, 2016 ~ Sean Gilman ~ 1 Comment

13hours8-1200x500
The prospect of a Michael Bay movie about Benghazi is contemporary American absurdity at its finest. The maker of hugely successful disasters, overblown, crude, racist, misogynistic, incomprehensible, telling the story of one of the most ridiculous issues of our time, a tragedy crudely trumped up into an inane scandal by the basest elements of our political culture. After the jingoistic marketing around Clint Eastwood’s hit American Sniper a year ago (which I believe completely misrepresented that film), how could 13 Hours, in the hands of a far less sophisticated and nuanced filmmaker, hope to be anything but a wildly offensive distortion of history at best, and a piece of vile propaganda at worst? Well, I’m somewhat happy to say that 13 Hours is not nearly as racist as you’d expect it to be. It is crude, it is overblown, it does completely lack subtlety, but Bay, true to his only real belief as a filmmaker (that his movies should amass a fortune), has attempted to make a film that will appeal to all audiences, it sidesteps the kind of cartoonish racism one would expect in a war film set in North Africa and instead appeals to much deeper, much broader base instincts in the American audience: our love of firepower, our distrust of government, our isolationism.

Continue reading “13 Hours (Michael Bay, 2016)” →

Friday January 8 – Thursday January 14

January 8, 2016January 15, 2016 ~ Sean Gilman

Featured Film:

Out 1 at the SIFF Film Center

Long a holy grail for cinephiles around the globe, Jaques Rivette’s 13 hour film serial from 1971 premieres in a new restoration at SIFF. A Balzacian tale of theatrical rehearsals and conspiracy theories, the film stars French New Wave icon Jean-Pierre Léaud, Michael Lonsdale and Rivette regulars Juliet Berto and Bulle Ogier. SIFF is presenting Out 1 in four parts, consisting of two episodes each. Part 1 & 2 play Friday night, 3 & 4 and 5 & 6 play Saturday, and 7 & 8 on Sunday, with the program starting over again Sunday night and continuing with two parts per night through Wednesday. There’ll be a marathon of the whole serial on Sunday, January 24th. So, if you’re able to spend three or four consecutive days at the Seattle Center, or can physically endure 13 hours in the Film Center, this is the program for you.

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Playing This Week:

Labyrinth (Terry Jones, 1986) Fri-Tues
Aliens (James Cameron, 1986) Fri-Tues

The Himalayas (Lee Seokhoon) Fri-Thurs
The Tiger (Park Hoonjung) Fri-Thurs
Blade Runner (Ridley Scott, 1982) Sun & Weds Only

Youth (Paolo Sorrentino) Fri-Thurs
Barista (Rock Baijnauth) Tues Only

Heart of a Dog (Laurie Anderson) Fri-Thurs
The Man Who Saved the World (Turkish Star Wars) (Çetin İnanç, 1982) Fri & Sat Only Our Review
The Sprocket Society presents Saturday Secret Matinees Sat Only
Abstractions: The Films of Jon Behrens (Jon Behrens) Tues Only

Trumbo (Jay Roach) Fri-Thurs
Youth (Paolo Sorrentino) Fri-Weds

Wazir (Bejoy Nambiar) Fri-Thurs
Bajirao Mastani (Sanjay Leela Bhansali) Fri-Thurs
Blade Runner (Ridley Scott, 1982) Sun & Weds Only

Devil and Angel (Yu Baimei & Deng Chao) Fri-Thurs

Troublemakers: The Story of Land Art (James Crump) Fri-Thurs
Noma: My Perfect Storm (Pierre Deschamps) Fri-Thurs
Kevin T. Allen presents Ear as Other Sat Only
Beach Town (Erik Hammen) Sun Only
Rear Window (Alfred Hitchcock) Weds Only 35mm

Mojin: The Lost Legend (Wu Ershan) Fri-Thurs Our Review
Mr. Six (Guan Hu) Fri-Thurs Our Review

Kirkland Parkplace Cinema:

The Last Picture Show (Peter Bogdanovich, 1971) Mon Only

Bajirao Mastani (Sanjay Leela Bhansali) Fri-Thurs
Diwale (Rohit Shetty) Fri-Thurs

Framing Pictures: A Floating Conversation about Film Led by Veteran Critics Fri Only
Blood Feast (Herschell Gordon Lewis, 1963) Sat Only
The Harder They Fall (Mark Robson, 1956) Sun Only
Taxi 3 (Gérard Krawczyk, 2003) Mon Only
Ghost Fever (Lee Madden, 1987) Tues Only
The White Bus (Lindsay Anderson, 1967) Weds Only
Family Plot (Alfred Hitchcock, 1976) Thurs Only

L’Avventura (Michelangelo Antonioni, 1960) Thurs Only 35mm

Landmark Seven Gables:

Mustang (Deniz Gamze Ergüven) Fri-Thurs Our Review