This Is Spinal Tap (Marty DiBergi, 1984)

“Have a good time, all the time.” — Viv Savage

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Much has been written about the career of Spinal Tap, the second greatest rock band to ever come out of England, apologies to The Rolling Stones. The longevity of the band, their expert songwriting, and their general loudness have all become the gold standard for nearly every musician that has followed in their wake. Often referred to as “Heavy Metal’s Susan Lucci”, Spinal Tap’s annual snubbing by the Rock ‘n’ Roll Hall of Fame is a travesty of monumental proportions, especially considering the band has written two of the very best songs with the Hall’s name in the title, Rock ‘n’ Rolls “Creation” and “Nightmare”.

While the core personnel has been the same since the 1960s, and principal songwriters David St. Hubbins and Nigel Tufnel have a relationship going “all the way home” back to childhood, one of the most famous elements of the band is their constant retinue of replacement players. Drummers in particular. And while these performers have ranged from the perfunctory (“Gimme Some Money” percussionist John “Stumpy” Pepys) to the incongruously virtuosic (Nigel’s temporary replacement, Ricky, “the hottest lead guitarist in San Francisco”), some of these musicians made lasting contributions with the band and they deserve to be remembered. None more so than keyboardist Viv Savage.

Continue reading This Is Spinal Tap (Marty DiBergi, 1984)”

The Visit (M. Night Shyamalan, 2015)

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After a decade or so of wandering in the big-budget wilderness, a victim as much of hype as hubris, M. Night Shyamalan has made perhaps his most perfect film, or at least his best film since the 1999-2002 run that made him a household name. Ingeniously adapting to the budgetary and compositional constraints of the found-footage horror genre, turning an archetypally generic story into a jump scare machine both hilarious and deeply sad. Two kids, Becca age 15, an aspiring filmmaker, and Tyler age 13, an aspiring rapper, leave home to visit their grandparents for the first time. Their mother (the ubiquitous but nevertheless always great Kathryn Hahn) ran away from home at age 19 and hasn’t spoken to her parents since. But the kids being older now, a rapprochement is in order. The kids head to the country via Amtrak while mom goes on a cruise with her boyfriend. Becca has a dual purpose: she’s also going to make a film about the trip and her family, and this film in progress is the movie we’re watching.

Continue reading The Visit (M. Night Shyamalan, 2015)”

Friday September 04 – Thursday September 10

Featured Film:

Film Festivals Around Town

Labor Day weekend sees the arrival of a trio of miniature film festivals on Seattle Screens. The Cinerama begins a two week series of 40 fan favorite films, each playing one time only in state of the art digital presentations. The SIFF Film Center hosts a short film festival in conjunction with Bumbershoot, featuring a number of shorts that played SIFF earlier this year. And Scarecrow Video dedicates its Screening Lounge to classic films by female directors from around the world.
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Playing This Week:

Ark Lodge Cinemas:

Jimmy’s Hall (Ken Loach) Fri-Thurs
Mistress America (Noah Baumbach) Fri-Thurs Our Review

Central Cinema:

Porco Rosso (Hayao Miyazaki, 1993) Fri-Weds Subtitles on Weds Only
The Big Lebowski (The Coen Brothers, 1998) Fri-Weds
West Side Story (Robert Wise & Jerome Robbins, 1961) Thurs Only

Cinerama:

No Country for Old Men (The Coen Brothers, 2007) Fri Only
Vertigo (Alfred Hitchcock, 1958) Fri Only
The Big Lebowski (The Coen Brothers, 1998) Fri Only
Forrest Gump (Robert Zemeckis, 1994) Sat Only
Citizen Kane (Orson Welles, 1941) Sat Only
The Prisoner of Azkaban (Alfonso Cuaron, 2004) Sat Only
Inception (Christopher Nolan, 2010) Sat Only
The Wizard of Oz (Victor Fleming, 1939) Sun Only
The Sound of Music (Robert Wise, 1965) Sun Only
The Godfather (Francis Ford Coppola, 1972) Sun Only
Spirited Away (Hayao Miyazaki, 2001) Sun Only
American Graffiti (George Lucas, 1973) Mon Only
Butch Cassidy and the Sundance Kid (George Roy Hill, 1969) Mon Only
The Good, the Bad & the Ugly (Sergio Leone, 1966) Mon Only
Zombieland (Ruben Fleischer, 2010) Mon Only
Mad Max (George Miller, 1979) Tues Only
Ghostbusters (Ivan Reitman, 1984) Tues Only
The Blues Brothers (John Landis, 1980) Tues Only
Almost Famous (Cameron Crowe, 2001) Tues Only
On the Waterfront (Elia Kazan, 1954) Weds Only
Last of the Mohicans (Michael Mann, 1992) Weds Only
Pulp Fiction (Quentin Tarantino, 1994) Weds Only
Donnie Darko (Richard Kelly, 2001) Weds Only
Moulin Rouge! (Base Luhrmann, 2001) Thurs Only
Raiders of the Lost Ark (Steven Spielberg, 1981) Thurs Only
Monty Python & the Holy Grail (Terry Gilliam & Terry Jones, 1975) Thurs Only

Crest Cinema Center:

Love and Mercy (Bill Pohlad) Fri-Thurs Our Interview 

SIFF Cinema Egyptian:

Mistress America (Noah Baumbach) Fri-Thurs Our Review
Bloodsucking Bastards (Brian James O’Connell) Fri-Sat Midnight

Grand Cinema:

Phoenix (Christian Petzold) Fri-Thurs Our Review
Mistress America (Noah Baumbach) Fri-Thurs Our Review
Meru (Jimmy Chin & Elizabeth Chai Vasarhelyi) Fri-Thurs
Sunshine Superman (Marah Strauch) Tues Only

Grand Illusion Cinema:

The Iron Ministry (JP Sniadecki) Mon-Thurs Our Review
Top Spin (Sara Newens & Mina T. Son) Fri-Thurs

Landmark Guild 45th:

Mistress America (Noah Baumbach) Fri-Thurs Our Review
Meru (Jimmy Chin & Elizabeth Chai Vasarhelyi) Fri-Thurs

Cinemark Lincoln Square:

Mistress America (Noah Baumbach) Fri-Thurs Our Review
Phantom (Kabir Khan) Fri-Tues
Learning to Drive (Isabel Coixet) Fri-Thurs
Bhale Bhale Magadivoi (Maruthi) Fri-Thurs
Welcome Back (Anees Bazmee) Fri-Tues
Stripes (Ivan Reitman) Sun & Weds Only

Regal Meridian:

Irrational Man (Woody Allen) Fri-Thurs

Northwest Film Forum:

Steve Jobs: The Man in the Machine (Alex Gibney) Fri-Thurs
Human Highway: Director’s Cut (Neil Young & Dean Stockwell) Fir-Sun
Dance Film Salon: Vertigo Bird and Vashava Mon Only

AMC Pacific Place:

Learning to Drive (Isabel Coixet) Fri-Thurs

Kirkland Parkplace Cinema:

Mistress America (Noah Baumbach) Fri-Thurs Our Review

Regal Parkway Plaza:

Angrej (Simerjit Singh) Fri-Thurs

Scarecrow Video Screening Lounge:

The Portrait of a Lady (Jane Campion, 1996) Fri Only Our Podcast
Starstruck (Gillian Armstrong, 1982) Sat Only
A Simple Life (Ann Hui, 2012) Sun Only
Daisies (Věra Chytilová, 1966) Mon Only
The Man Who Knew Too Much (Alfred Hitchcock, 1934) Tues Only
Cleo from 5 to 7 (Agnés Varda, 1962) Weds Only
Wishful Dancing: The Films of Kathie Kelly Thurs Only

Landmark Seven Gables:

Learning to Drive (Isabel Coixet) Fri-Thurs

SIFF Film Center:

1 Reel Film Festival  Sat-Mon

Sundance Cinemas Seattle:

Queen of Earth (Alex Ross Perry) Fri-Thurs
Steve Jobs: The Man in the Machine (Alex Gibney) Fri-Thurs
Khalil Gibran’s The Prophet (Roger Allers et al) Fri-Thurs
A Borrowed Ideantity (Eran Riklis) Fri-Thurs

Regal Thornton Place:

Mistress America (Noah Baumbach) Fri-Thurs Our Review

SIFF Cinema Uptown:

Phoenix (Christian Petzold) Fri-Thurs Our Review
Bloodsucking Bastards (Brian James O’Connell) Fri-Tues, Thurs

Varsity Theatre:

Dragon Blade (Daniel Lee) Fri-Thurs

Go Away Mr. Tumor (Han Yan, 2015)

Dr. Liang (Daniel Wu) and his patient Xiong Dun (Bai Baihe) in the Chinese film, Go Away Mr Tumor. Xiong has watched lots of Korean TV dramas and she has a crush on Dr. Liang, so she often imagines scenes like this one.

The goofy, cutsy, CGI-driven, Chinese fantasy cancer melodrama we didn’t know we needed. The clash of tones I imagine would be unbearable for most, especially audiences trained on Hollywood rules about tonal and generic consistency, but it was a smash hit in China (and is still on-going) and managed an extremely rare third week in diasporic theatrical release here in Seattle. When I left the auditorium, I saw a woman sobbing uncontrollably, the guy with her trying in vain to console her. I can’t blame her at all. It’s silly and dumb and heartfelt and devastating.

Continue reading Go Away Mr. Tumor (Han Yan, 2015)”