In This Corner of the World (Sunao Katabuchi, 2016)


The obvious point of comparison for In This Corner of the World, an anime set on the home front during World War II, is with Isao Takahata’s 1988 Ghibli film Grave of the Fireflies. But in spirit it’s more akin to Takahata’s later work: the world-dissolving subjective images of memory in Only Yesterday and the episodic focus on the family of My Neighbors the YamadasFireflies is about devastation, about the terrible consequences of war and, more specifically, of the cruel pride that makes for such wars, but Corner is about resilience, about a people to whom war is happening, with or without their complicity: it’s more Mrs. Miniver than anything else. Beginning before the war and skipping quickly through the early life of Suzu Urano, an artistic girl who lives near the city of Hiroshima. After short episodes from her childhood, the film settles down once she gets married and moves to Kure, a nearby town that is a center of naval manufacturing, in 1943. In these early scenes, the war is merely a background element: characters speak of the navy, the construction of a factory displaces the family’s seaweed business, ships are seen in the distant harbor, new ration recipes with variable results are tried, while the drama centers on Suzu’s integration into her new family and her rivalry with her new sister-in-law. But the war plays a bigger and bigger role as we proceed through time: a wrong turn into a red light district populated by displaced young women, air raid drills followed by actual bombardments, a visit from an old school friend who admonishes Suzu to “stay ordinary, stay sane”. Finally, in the summer of 1945, the horror of war becomes nigh unbearable, culminating the the atomic bombing of the city on the other side of the mountain. But even in the blasted hellscape that follows, the loss of so much humanity, Suzu and her family endure.

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