The Future//Present program at VIFF has quickly become one of the most dynamic and interesting streams the festival has to offer, adding to the festival’s longtime commitment to the cutting edge in Asian cinema an exploration of the burgeoning Canadian independent film scene, offering showcase opportunities to young filmmakers from Nova Scotia to Vancouver. This year’s program was even better than last year’s inaugural offering, and provided some of the festival’s most interesting, engaging and challenging films.
Last year’s program was lead by a feature and a trilogy of shorts from director Sofia Bohdanowicz, who returns this year with her documentary Maison du bonheur. Filmed on a Bolex over 30 days during a stay with a friend’s mother in Paris, the film is both the story of a woman and the way she does things (makes bread, gets her hair styled) and the story of a woman making a film about a woman she finds fascinating. While not as explicitly meta-cinematic as Never Eat Alone, Bohdanowicz continually leaves in her own attempts to erase herself from her movie (telling her subject how to answer questions when the questioner won’t be heard, or telling people not to look directly at the camera or acknowledge her presence), and at times simply can’t help but take it over, including snippets of her nightly audio journal entries, or taking a side trip to Deauville, the site of some unexplained unhappiness in her past, for which this trip, this film project, seems in some way designed to, if not exactly erase, then somehow compensate for: she wants new memories. It’s a warm, fascinating film from one of the best young filmmakers in the world today.