As the Seattle International Film Festival draws to its close, we get together the low-points and high points of the local juggernaut marathon. Movies discussed include: Dragon Gate Inn, Mountains May Depart, Trivisa, I am Belfast, Under the Sun, The Bacchus Lady, and Creepy.
The Seattle International Film Festival races into it’s third week (has it really only been fifteen days? With only a mere ten to go?) and here we have some titles you won’t want to miss. We’ll link to our reviews of the titles listed here as we write them, as we’ve been doing with our Week One and Week Two Previews. We previewed the festival back on Frances Farmer Show #6 and discussed it at its midway point on Frances Farmer #7. We’ll have a complete wrap-up of the SIFF just as soon as it ends.
The second phase of Awards Season is upon us, with early Oscar contenders spreading like a winter cold across Seattle Screens. Late November is the final stretch before the Christmas glut, when studios dump all their high profile releases at the same time, a phenomenon which never ceased to amaze me in my former life in the theater business: the early weeks of December are always a wasteland, while a dozen quality films come out at the same time at the end of the month, stretching into January, when certain releases will finally make it out of the New York-LA bubble to grace us in the hinterlands with their Oscar lunges. Most November releases will be forgotten by that time, the awards bloggers twiddling with their own self-created narratives, while the actual business of handing out awards is mostly accomplished. I caught up with a few of the films with strong cases for end-of-the-year recognition last weekend at the local mall, Brooklyn, Spotlight and Creed, all of which are very fine films you can catch all over town, at least for a couple more weeks.