SIFF 2017: Cook Up a Storm (Raymond Yip, 2017)

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One of only two Hong Kong films to be playing at SIFF this year is this cooking film from star Nicholas Tse and director Raymond Yip. It’s a Lunar New Year film, opening a week after the holiday both at home and abroad, to avoid box office competition from Tsui Hark and Stephen Chow’s Journey to the West: Conquering the Demons. It played here briefly at the Pacific Place, but SIFF is reviving it for the festival. I’m not exactly sure why, probably because of the food. Director Yip is strictly workmanlike, the guiding force behind the film is Tse, who has been one of the more figures in Hong Kong over the past twenty years. The son of star actor Patrick Tse (Story of a Discharged Prisoner), he began as a popular singer before moving into movies (Time and Tide, Jade Goddess of Mercy, Bodyguards & Assassins) and television (where he hosts and cooks on a popular foodie show called Chef Nic) and a series of romantic entanglements with Faye Wong and Cecilia Cheung. Cook Up a Storm appears to be an attempt to extend the Chef Nic brand, as Tse plays a local Cantonese chef challenged by a European-trained, Michelin-starred chef who opens an upscale restaurant across the street. Both Nic and the new chef (a truly international man: half-Korean and half-Chinese, raised and trained in Europe, he’s played by Korean singer/actor Jung Yong-hwa) have secrets which they must overcome to win a game show-style culinary competition.

Continue reading “SIFF 2017: Cook Up a Storm (Raymond Yip, 2017)”

SIFF 2017: Week One Preview

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That occasional glimpse of sun in our dank gray skies signals not only the rebirth of allergy season but also that it is time once again for Seattle’s annual migration to the margins of international art house cinema. The Seattle International Film Festival begins this Thursday, kicking off another epic 25 day march around the world of contemporary and archival cinema. We at Seattle Screen Scene will once again have extensive coverage, and here are some of the films we’re looking forward to this first week, May 18-25. We’ll add links to our reviews of the films we see here as we write them.

After the Storm – The latest from acclaimed Japanese director Kore-eda Hirokazu is another in his series of quiet family dramas, following Still Walking and Our Little Sister. Hiroshi Abe plays a dilapidated father, a novelist moonlighting as a private detective while he struggles with his second book. He tries to reunite with his ex-wife and connect with his young son. Slight, but warm, Kore-eda could probably churn out films like this for another 20 years and I’d be OK with that. I wrote a short review of it last fall at VIFF. Plays May 19 & 20.

The Unknown Girl – An unusual film from the Dardenne Brothers, in that it’s generically conventional: a nurse investigates the identity of a young woman who knocked on her door one night and wound up dead in the morning. The Dardennes’ Catholic vision of collective guilt meshes naturally with the film’s noir vibe. Evan reviewed it at VIFF. Plays May 19 & 21.

Dawson City: Frozen Time – Experimental documentarian Bill Morrison’s Beyond Zero 1948-1918 was one of my favorites of SIFF 2015, so I’m very much looking forward to this new film, which uses uncovered, decaying nitrate film to chronicle the transformations of a gold rush town around the beginning of the 20th Century. Plays May 19 & 20.

Animal Crackers – “The beginning of the end. Drab dead yesterdays shutting out beautiful tomorrows. Hideous, stumbling footsteps creaking along the misty corridors of time.” Plays May 20.

Hello Destroyer – Canadian director Kevan Funk’s chronicle of a hockey player wrestling with the consequences and ideology of violence after he puts a vicious hit on another player. It didn’t technically play as part of the Future // Present program at VIFF last fall, but it might have. Plays May 20 & 21.

The Trip to Spain – Steve Coogan and Rob Brydon continue their travels through Europe, along with the third installment of Michael Winterbottom’s series of improvisational fake documentaries about celebrity impressions and the angst of being rich, middle-aged men. Plays May 20 & 21.

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Yourself and Yours – One of four Hong Sangsoo films to be released in the past nine months, this one is about a woman who, after her boyfriend tells her she drinks too much, spends a few days flirting with other men, or doesn’t but in fact has a twin who drinks and flirts a lot. Evan reviewed it at VIFF, and I reviewed it earlier this year. Plays May 21, 22 & 24.

Cook Up a Storm – One of only two Hong Kong films at this year’s SIFF, and back after a brief run at the Pacific Place in February, Raymond Yip’s foodie clash show stars Nicholas Tse, famous actor and host and primary chef on a popular cooking show. Chef Nic plays a Cantonese street cook competing against a Michelin-starred chef in a culinary competition. Anthony Wong plays Nic’s dad. I’m expecting a flashier, less soulful take on Tsui Hark’s The Chinese Feast, with less of the romantic charm of the now-playing This Is Not What I Expected. Plays May 21, 28 & 31.

Manifesto – Cate Blanchett plays thirteen different roles reciting famous artistic statements in this adaptation of Julian Rosefeldt’s installation. Plays May 22 & 26.

Bad Black – A DIY action comedy from Uganda and producer/director/writer/editor Nabwana IGG that looks to promise as many joy of making exploitation cinema thrills as anything likely to be found in this year’s festival. Plays May 20, 22 & 25.

Vampire Cleanup Department – The other Hong Kong film at SIFF this year, it’s a kind of reboot of the classic 80s hopping vampire films (Mr. VampireThe Dead and the Deadly), with a young man learning the ropes of vampire removal while protecting the vampire woman he loves. Plays May 23, 25 & 26.

 

Friday, May 12 – Thursday, May 18

Featured Film:

An Autumn Afternoon at the Seattle Art Museum

With the Seattle International Film Festival only one week away, two big spring retrospectives come to an end this week with two of the best movies of the past 60 years or so, both playing on 35mm film. SIFF wraps up its David Lynch series with his masterpiece, the 2001 dream/nightmare Mulholland Dr. It plays Friday through Sunday only at the Film Center. But while Lynch is frequently revived on Seattle Screens (though not, as SIFF has mostly done, on 35mm), the conclusion of SAM’s Yasujiro Ozu series is the must-see film of the week. Ozu is no stranger here either, of course, but this week they’ve got his final film, and what I think is his very best, 1962’s An Autumn Afternoon, which is more rarely revived. It captures more of the things that made Ozu great, the funny, the bittersweet, the devastating, than any other film, along with his sublimely idiosyncratic approach to framing and cutting and his most expressive use of color.

Playing This Week:

AMC Alderwood:

Baahubali: The Conclusion (SS Rajamouli) Fri-Thurs Hindi Our Review
Lowriders (Ricardo de Montreuil) Fri-Thurs

Ark Lodge Cinemas:

Your Name. (Makoto Shinkai) Fri-Thurs Our Review Dubbed and Subtitled, Check Listings
Near Dark (Kathryn Bigelow, 1987) Thurs Only

Central Cinema:

Psycho (Alfred Hitchcock, 1960) Fri-Tues
Mamma Mia! (Phyllida Lloyd, 2008) Fri-Sun, Tues

SIFF Egyptian:

Chasing Trane (John Scheinfeld) Fri-Sun

AMC Factoria:

Baahubali: The Conclusion (SS Rajamouli) Fri-Thurs Hindi Our Review

Century Federal Way:

Baahubali: The Conclusion (SS Rajamouli) Fri-Thurs Telugu Our Review
Lahoriye (Amberdeep Singh) Fri-Thurs
Meri Pyaari Bindu (Akshay Roy) Fri-Thurs
The Fifth Element (Luc Besson, 1997) Sun & Weds Only Our Review

Grand Cinema:

A Quiet Passion (Terence Davies) Fri-Thurs Our Review Our Podcast
Frantz (François Ozon) Fri-Thurs
Their Finest (Lone Scherfig) Fri-Thurs
Fire Walk with Me (David Lynch, 1992) Sat Only Our Podcast
Transit (Hannah Espia, 2013) Mon Only
I Am the Blues (Daniel Cross) Tues Only
Bonnie & Clyde (Arthur Penn, 1967) Weds Only

Grand Illusion Cinema:

Buster’s Mal Heart (Sarah Adina Smith) Fri-Mon, Weds & Thurs
Two Women (Vera Glagoleva) Fri-Thurs
Red May: The Eco-Suicidal Contradictions of Capitalism: Is Capitalism Nuts, or is it Me? Sun Only Panel Discussion

Landmark Guild 45th:

Your Name. (Makoto Shinkai) Fri-Thurs Our Review Subtitled
The Happiest Day in the Life of Olli Mäki (Juho Kuosmanen) Fri-Thurs Our Review
Chuck (Philippe Falardeau) Fri-Thurs

Cinemark Lincoln Square:

Baahubali: The Conclusion (SS Rajamouli) Fri-Thurs Hindi, Tamil & Telgu, Check Listings Our Review
Radha (Chandra Mohan Chintada) Fri-Thurs
Norman: The Moderate Rise And Tragic Fall of a New York Fixer (Joseph Cedar) Fri-Thurs
Sarkar 3 (Ram Gopal Varma) Fri-Thurs
The Fifth Element (Luc Besson, 1997) Sun & Weds Only Our Review

Regal Meridian:

Baahubali: The Conclusion (SS Rajamouli) Fri-Thurs Hindi Our Review
A Quiet Passion (Terence Davies) Fri-Thurs Our Review Our Podcast
Norman: The Moderate Rise And Tragic Fall of a New York Fixer (Joseph Cedar) Fri-Thurs
Lowriders (Ricardo de Montreuil) Fri-Thurs
Chuck (Philippe Falardeau) Fri-Thurs
Their Finest (Lone Scherfig) Fri-Thurs
Trainspotting 2 (Danny Boyle) Fri-Thurs

Northwest Film Forum:

BANG! The Bert Berns Story (Brett Berns & Bob Sarles) Fri-Thurs
Short Films From and About the Middle East for Young Audiences Sun Only
Ice (Robert Kramer, 1969) Weds Only 16mm
Starless Dreams (Mehrdad Oskouei) Thurs Only

AMC Oak Tree:

Their Finest (Lone Scherfig) Fri-Thurs

AMC Pacific Place:

This Is Not What I Expected (Derek Hui) Fri-Thurs Our Review
Love Off the Cuff (Pang Ho-cheung) Fri-Thurs Our Review
Battle of Memories (Leste Chen) Fri-Thurs

Regal Parkway Plaza:

Baahubali: The Conclusion (SS Rajamouli) Fri-Thurs Hindi Our Review
Lowriders (Ricardo de Montreuil) Fri-Thurs
Their Finest (Lone Scherfig) Fri-Thurs
Can’t Help Falling in Love (Mae Czarina Cruz-Alviar) Fri-Thurs

AMC Seattle:

Norman: The Moderate Rise And Tragic Fall of a New York Fixer (Joseph Cedar) Fri-Thurs
Their Finest (Lone Scherfig) Fri-Thurs

Seattle Art Museum:

An Autumn Afternoon (Yasujiro Ozu, 1962) Thurs Only 35mm Our Podcast

Landmark Seven Gables:

A Quiet Passion (Terence Davies) Fri-Thurs Our Review Our Podcast

SIFF Film Center:

David Lynch: The Art Life (Jon Nguyen, Olivia Neergaard-Holm & Rick Barnes) Fri & Sun Only
Mulholland Dr. (David Lynch, 2001) Fri-Sun 35mm
Yemeniettes (Shawn Thompson and Leon Shahabian) Sun Only

Regal Thornton Place:

The Fifth Element (Luc Besson, 1997) Sun & Weds Only Our Review

SIFF Uptown:

Colossal (Nacho Vigalondo) Fri-Sun
Risk (Laura Poitras) Fri-Sun

Varsity Theatre:

3 Generations (Gaby Dellal) Fri-Thurs
Folk Hero and Funny Guy (Jeff Grace) Fri-Thurs
Tracktown (Alexi Pappas & Jeremy Teicher) Fri-Thurs

In Wide Release:

Guardians of the Galaxy 2 (James Gunn) Our Review
The Lost City of Z (James Gray) Our Review
The Fate of the Furious 
(F. Gary Gray) Our Review

Baahubali: The Conclusion (S.S. Rajamouli, 2017)

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S.S. Rajamouli’s Baahubali: The Beginning (dutifully reviewed here at SSS) was a work of grand spectacle, visual wonder and narrative simplicity. It found Rajamouli delivering a shot across the bow, if you will, announcing his intent to deliver a film worthy of the epics which drive the mechanics of the plot, and could stand side by side with Hollywood. But it is Baahubali 2: The Conclusion which truly delivers on that promise.

Continue reading Baahubali: The Conclusion (S.S. Rajamouli, 2017)”

The Happiest Day in the Life of Olli Mäki (Juho Kuosmanen, 2016)

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When considering the standard cultural landmarks of the peculiar but plentiful subgenre of the boxing movie – Raging Bull, Rocky, Ali – a pattern seems to emerge. The genre seems to invite, by dint of the sport’s popularity, prominence, and propulsive energy, either big emotions or big narratives, whether it be emotional self-flagellation, the archetypal underdog, or a sense of the central figure influencing the national zeitgeist. The Happiest Day in the Life of Olli Mäki, surprisingly, deals with all of these ideas to one extent or another, but this entry into the subgenre eschews virtually all sense of grandeur in favor of an intensely lowkey and somewhat light character study.

Winner of the Un Certain Regard Award at the 2016 Cannes Film Festival, The Happiest Day in the Life of Olli Mäki follows the true story of the eponymous Finnish boxer (Jarkko Lahti) as he trains to fight for the World Featherweight Title, the first world championship bout held in Finland. His training is followed with intense interest by his fellow countrymen, who hold his title challenge as a major source of national pride. Olli is essentially besieged as he attempts to focus on the match – and lose enough weight to become a lightweight – by many, including coach/manager/slightly antagonistic friend Elis (Eero Milonoff), who invites a documentary film crew to film Olli’s progress and continually forces him to attend dinners to accrue sponsors. All the while, he is bolstered by his growing love for his friend Raija (Oona Airola), something frowned upon by Elis.

Continue reading The Happiest Day in the Life of Olli Mäki (Juho Kuosmanen, 2016)”

Guardians of the Galaxy Vol. 2 (James Gunn, 2017)

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It is mostly accurate to say, without hyperbole, that the Marvel Cinematic Universe is simultaneously the most overpraised and the most unfairly maligned blockbuster franchise of modern times. Rarely has any strictly commercial film or series of films inspired such reams of glorification or barbs of hatred, as both sides seem to hail the MCU as alternatively the lifeblood and the death knell of cinema. Both of these extremist positions are, of course, ridiculous; the idea that one series, even the most profitable, could make or break American blockbuster cinema, let alone world cinema, is intensely narrow-minded. Perhaps a more rewarding and certainly more revealing approach is considering each incarnation, pros and cons, as its own discrete unit, despite Marvel’s insistence on making them blend together in a maze of references and character continuities.

Such dueling intentions typify, for better or worse, the latest such entry in the series: Guardians of the Galaxy Vol. 2. The rather fascinating sequel to the 2014 film follows its eponymous protagonists a few months after the events of its predecessor, as they experience all of the camaraderie and squabbling that befits a team that has stayed together that long. It is a surprisingly non-narratively focused film, though, in the MCU tradition, it ends up being just as high-stakes as normal. Functionally speaking, it is split into two plotlines. One follows Peter Quill (Chris Pratt), Gamora (Zoe Saldana), and Drax (Dave Bautista) as they explore the planet that comprises Peter’s father who abandoned him as a child, a cosmic being known as Ego (represented in a humanoid form by Kurt Russell). The other follows Rocket Raccoon (Bradley Cooper) and Baby Groot (Vin Diesel) as they are separately captured by a faction of the Reavers, headed by Yondu (Michael Rooker), Peter’s adopted father who seeks to regain his standing within the Reavers as a whole.

Continue reading Guardians of the Galaxy Vol. 2 (James Gunn, 2017)”

Friday May 5 – Thursday May 11

Featured Film:

A Quiet Passion at the Seven Gables, the Meridian and the Grand

One of our favorite movies of 2016, which Evan wrote about last fall at the Vancouver Film Festival and which we also discussed on the latest episode of The Frances Farmer Show, finally opens here at the Seven Gables and the Meridian and in Tacoma at the Grand. It’s an Emily Dickinson biopic starring Cynthia Nixon and directed by Terence Davies that is simultaneously a classical literary biography and a distinctly Davies kind of film, and somewhat surprisingly, is as bitingly funny as any film released last year. There are a couple of fine Chinese romantic comedies at the Pacific Place in Love Off the Cuff and This Is Not What I Expected, and we haven’t yet made it out to Herman Yau’s Shock Wave or Baahubali 2 (although everyone else seems to have seen it), but I doubt there’s anything better to do in town this week than see A Quiet Passion.

Playing This Week:

AMC Alderwood:

Baahubali 2 (SS Rajamouli) Fri-Thurs Hindi
The Mayor (Park Inje) Fri-Thurs
Colossal (Nacho Vigalondo) Fri-Thurs
Their Finest (Lone Scherfig) Fri-Thurs

Ark Lodge Cinemas:

Kedi (Ceyda Torun) Fri-Thurs
Near Dark (Kathryn Bigelow, 1987) Thurs Only

Central Cinema:

Harold and Maude (Hal Ashby, 1971) Fri-Mon
Harold and Kumar Go to White Castle (Danny Leiner, 2004) Fri-Mon
Fire Walk with Me (David Lynch, 1992) Weds Only Our Podcast

SIFF Egyptian:

Chasing Trane (John Scheinfeld) Tues Only

AMC Factoria:

Baahubali 2 (SS Rajamouli) Fri-Thurs Hindi

Century Federal Way:

Baahubali 2 (SS Rajamouli) Fri-Thurs Tamil & Telgu, Check Listings
Manje Bistre (Baljit Singh Deo) Fri-Thurs

Grand Cinema:

A Quiet Passion (Terence Davies) Fri-Thurs Our Review Our Podcast
Their Finest (Lone Scherfig) Fri-Thurs
The Devil’s Candy (Sean Byrne) Sat Only
The Kind Words (Shemi Zarhin) Mon Only
Chasing Trane (John Scheinfeld) Tues Only Live Music & Discussion

Grand Illusion Cinema:

Buster’s Mal Heart (Sarah Adina Smith) Fri-Thurs
Red May: Capitalism, Technology, Subjectivity Sun Only Panel Discussion

Landmark Guild 45th:

Your Name. (Makoto Shinkai) Fri-Thurs Our Review Subtitled
The Happiest Day in the Life of Olli Mäki (Juho Kuosmanen) Fri-Thurs
Colossal (Nacho Vigalondo) Fri-Thurs

Cinemark Lincoln Square:

Baahubali 2 (SS Rajamouli) Fri-Thurs Hindi, Tamil & Telgu, Check Listings
Your Name. (Makoto Shinkai) Fri-Thurs Our Review Subtitled
Babu Baaga Busy (Naveen Medaram) Fri & Sat Only

Regal Meridian:

Baahubali 2 (SS Rajamouli) Fri-Thurs Hindi
A Quiet Passion (Terence Davies) Fri-Thurs Our Review Our Podcast
Shock Wave (Herman Yau) Fri-Thurs
Their Finest (Lone Scherfig) Fri-Thurs
Trainspotting 2 (Danny Boyle) Fri-Thurs

Northwest Film Forum:

Citizen Jane: Battle for the City (Matt Tyrnauer) Fri-Thurs
Starless Dreams (Mehrdad Oskouei) Sun Only
Searching Skies and other Shorts Weds Only Filmmaker in Attendance
Glen and Randa (Jim McBride, 1971) Weds Only 35mm
Rhythm Assemblies: Films by Reed O’Beirne (Reed O’Beirne) Thurs Only Director in Attendance

AMC Oak Tree:

Their Finest (Lone Scherfig) Fri-Thurs

AMC Pacific Place:

This Is Not What I Expected (Derek Hui) Fri-Thurs Our Review
Love Off the Cuff (Pang Ho-cheung) Fri-Thurs Our Review
Battle of Memories (Leste Chen) Fri-Thurs

Regal Parkway Plaza:

Baahubali 2 (SS Rajamouli) Fri-Thurs Hindi
Trainspotting 2 (Danny Boyle) Fri-Thurs
Their Finest (Lone Scherfig) Fri-Thurs
Can’t Help Falling in Love (Mae Czarina Cruz-Alviar) Fri-Thurs

Seattle Art Museum:

Late Autumn (Yasujiro Ozu, 1960) Thurs Only 35mm

Landmark Seven Gables:

A Quiet Passion (Terence Davies) Fri-Thurs Our Review Our Podcast

SIFF Film Center:

David Lynch: The Art Life (Jon Nguyen, Olivia Neergaard-Holm & Rick Barnes) Fri-Sun
Iraqi Odyssey (Samir) Thurs Only

Sundance Cinemas:

Jeremiah Tower: The Last Magnificent (Lydia Tenaglia) Fri-Thurs
Their Finest (Lone Scherfig) Fri-Thurs

Regal Thornton Place:

Your Name. (Makoto Shinkai) Fri-Thurs Our Review

SIFF Uptown:

Colossal (Nacho Vigalondo) Fri-Thurs
Risk (Laura Poitras) Fri-Thurs
September Storm (3D) (Byron Haskin, 1960) Tues Only 
Ape (3D) (Paul Ledar, 1976) Tues Only
One More Time With Feeling (Andrew Dominik) Weds Only

Varsity Theatre:

Queen of the Desert (Werner Herzog, 2015) Fri-Thurs Our Review
Below Her Mouth (April Mullen) Fri-Thurs
Saturday Night Fever (John Badham, 1977) Weds Only

In Wide Release:

Guardians of the Galaxy 2 (James Gunn) Our Review
The Lost City of Z (James Gray) Our Review
The Fate of the Furious 
(F. Gary Gray) Our Review

Love Off the Cuff (Pang Ho-cheung, 2017)

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Love Off the Cuff starts with a horror movie, a tale set in the recent past about a village terrorized by a monster that eats children. As creepy as it is ridiculous, it functions as a none-too-subtle allegory for the crisis at the heart of the relationship between Cherie (Miriam Yueng) and Jimmy (Shawn Yue), which we’ve seen grow from its beginnings at shared cigarette breaks in Love in a Puff to the inevitable break-up/reunion cycle in Love in the Buff. Seven years on from the first film (which remains arguably the best romantic film of the decade), Cherie and Jimmy are comfortably living together back in Hong Kong, but visits from long-lost family members serve to highlight the rut they’ve found themselves in. Cherie’s father, who abandoned her, her mother and her brother years ago, shows up with a very young bride-to-be and looks to party with Jimmy. While Jimmy’s visiting godmother turns out to be a much younger woman (“She’s from Canada, they’re very liberal there. What if she prances about in her bra?” Cherie fearfully exclaims). The two visits inspire insecurity in Cherie: she’s jealous of the younger woman and fearful that Jimmy will turn out like her lecherous father, but more devastatingly they highlight the degree to which she was already dissatisfied with Jimmy’s childishness.

Continue reading Love Off the Cuff (Pang Ho-cheung, 2017)”

This Is Not What I Expected (Derek Hui, 2017)

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One of two romantic comedies that tried and failed to unseat the powerhouse Fast & the Furious 8 at the Chinese box office this past May Day weekend, This Is Not What I Expected opens here on Friday, a week after its counter-part Love Off the Cuff. It’s a totally pleasant film that surfs gently on the charm of its lead actors, recalling at times the softer screwballs of the 1930s, or more exactly the modern imitations of those classics. It’s essentially You’ve Got Mail, but where the two leads secretly communicate not via letters or emails, but through food. Zhou Dongyou, who was exceptional last year in Derek Tsang’s SoulMate, plays a manic pixie who repeatedly runs afoul of aloof billionaire Takeshi Kaneshiro (aging nicely more than 20 years after Chungking Express and Fallen Angels). Kaneshiro is a fastidious foodie, a buyer and seller of hotels who checks into an aging inn somewhere in Shanghai and finds all of the food lacking. Except, that is, for a soup made by Zhou, known to Kaneshiro only as the woman who mistakenly vandalized his truck in an act of revenge for her roommate. Kaneshiro and the chef refuse to meet each other, instead using the peculiar qualities of food to bond.

Continue reading This Is Not What I Expected (Derek Hui, 2017)”